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I know... I know...: A-1 repair recommendations

The_Zen_Master
Contributor

Hello, I know you are going to tell me to buy a new camera but I already have two digital cameras that are bricks because they are "too expensive to repair." Therefore, I want to get back into film, and use the excellent condition Canon A1 that I bought new in approximately 1982... (photographed yesterday)

A1 reduced.JPG

Clearly, the camera needs to have the light seals and mirror cushion replaced and I would very much like to have the camera inspected, cleaned, lubricated and adjusted, if needed, by a Canon professional.

My question is: is there anyone that you can recommend that could do the work?

19 REPLIES 19

Funny thing is that I was heavily invested in Pentax metal-era 35mm SLRs and equipment. When I jumped to Canon for autofocus I sold down my Pentax equipment, but kept my ME (my first camera at 17) and a K1000 I added a few years later. Fast forward to when I jumped from DSLR to mirrorless.

I bought an R100 because it reminded me of my Pentax ME i.e. small, light, go-anywhere, anytime. One day I decided to take the ME along and the floodgates of film opened. I quickly added a K2 and an MX, not to mention a Nikon F and FM. Currently, half of my shooting is on film and half is on my R100 and R8. 

I remember when the A1 came out. It was a nuclear blast that few expected. It was a blow that ultimately killed Pentax that took 5 years to respond while they staggered through the annoying-to-use-in-manual ME Super, the DOA MV, the DOA MV1, the DOA MG, and the LX boondoggle. Now Pentax is just a name on outdated Ricoh DSLRs.

When the mirrorless "AE1" comes out. I will be first in line to do the retro mirrorless thing.

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The_Zen_Master
Contributor

Wanted to post an update.

I sent my A1 to Gary and it seems like he did a great job - the price and the turn around were great. One disappointment was that the original battery door had a small crack and so I asked Gary to replace it, presuming he would replace it with a genuine Canon part, but he used a 3D printed part. Had I know this might happen I would have elected to retain the factory battery door - my mistake for not being absolutely concise. So, I purchased a factory original metal battery door from eBay and replaced the 3D printed door myself. Nevertheless the camera is working great.

After shooting a roll of film I had it developed and this is one of the shots.

4573R01-R01-001C-topaz-denoise-sharpen.jpg

However, the real treat was when I walked into Precision Camera in Austin to buy more film, and saw this resting in one of their display cases...

New F1.JPG

What a superb piece of camera engineering and in such great condition - I bought it as soon as I saw it. Almost finished with the first roll of Ektar 100 so we'll see how it turns out.

Glad to hear the A1 is ship shape. That F1 looks amazing. I would love to have an F1 and an A1, but if I bought either, I'd then buy the other. Then of course I'd be adding lenses. GAS...gear acquisition syndrome. Enjoy your magnificent cameras.

Please ask for an invite to my Knowledge Base articles for tips on teaching photography, composition, and non-compensated product reviews.

The_Zen_Master
Contributor

Thanks, Lee. I have always loved my A-1 but I have always wanted a New F-1, and it is truly a work of engineering art. I advise you to get one of each, and then start a "Vintage Canon Film Camera" thread for us old-timers, if you have any clout with the forum administrators! 😎

Film hasn't died, though it looks like the Pentax 17 experiment went belly up with their designer TKO bolting from Ricoh. I always wanted a Nikon F and patience brought me one that looks and operates as new with a 50mm 1.4 lens for just over $100. Then came the lens finds. Then came an FM body that is pristine that I got for next to nothing. The A1 and the F1 are highly desirable to me. I nearly bought an A1 at the Rose Bowl Swap Meet a while back. I can see the rabbit hole that Canon would be for me. An enjoyable rabbit hole for certain.

As for a film thread, I think it could be fun even though none of the cameras are on sale anymore. I participate in a Pentax film group and a Nikon film group. If a Canon film group popped up here, I'd have a reason to buy more cameras.

Enjoy yours and show us your work from time to time.

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The_Zen_Master
Contributor

A Couple of shots from my recently acquired Canon F-1 - Canon FD 400mm F4.5 Kodak Ektar 100 1/1000 f5.6

Eastern Bluebird on a wire fence:Bluebird 001.jpg

The_Zen_Master
Contributor

And a Cardinal on a wire fence:Cardinal 001.jpg

Such a beautiful bird. The sharpness is commendable without reminding me of one of those over-sharpened Photoshop/Lightroom Frankenstein images. I really prefer SOOC (my bias). Excellent balance and taste in what you have accomplished here. Thank you for sharing.

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Another delightful shot. Here, I like not only the innate color contrast of the bird, but the sharp--VS--soft in the bird's feathers. Well done.

Please ask for an invite to my Knowledge Base articles for tips on teaching photography, composition, and non-compensated product reviews.

The_Zen_Master
Contributor

Thank you, Lee. 2-shots out of 36-exposures isn't bad! 😄 A friend suggested I try to get the "eye in focus" and everything else would fall in place. I am old and I had to purchase a viewfinder dioptric correction attachment lens for both of my Canons, and it was still challenging - birds do not exactly sit still for photos...

But you mentioned something that got me thinking - I have been looking at lots of bird photography online and what you said about SOOC struck a chord. Almost all of the professional photos online are so hyper-sharpened that they turn me off - they look too mechanical / too perfect / fake / computer generated.

I have nothing against a little photo-correction, but I want photos to look like photos, not computer renderings.

Anyways, thanks for the encouragement!

EOS R6 V RF20-50mm F4 L IS USM PZ Lens Kit
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