08-23-2019 03:26 PM
I’ve been doing photography since I was 14, now I’m 18 and would say I’m pretty good at it, or I’ve been told I’m good.
I’m currently using the Canon 100d - this was my first dslr and I’ve loved it..
But I want to make an upgrade, I want to get a professional dlsr like a 6D Mrk 2 or a canon camera with 24 or higher megapixels..
Do you recommend any under £1700
I also do video work so I’m also looking for something that suits photography and video
08-23-2019 06:54 PM
@JohnMartin wrote:I’ve been doing photography since I was 14, now I’m 18 and would say I’m pretty good at it, or I’ve been told I’m good.
I’m currently using the Canon 100d - this was my first dslr and I’ve loved it..
But I want to make an upgrade, I want to get a professional dlsr like a 6D Mrk 2 or a canon camera with 24 or higher megapixels..
Do you recommend any under £1700
I also do video work so I’m also looking for something that suits photography and video
What lenses do you have? This will be a major determining factor in recommending a camera body.
What video resolution are you looking for? Are shooting video from a tripod, or blogging with a stick? The 80D, 6D2, and the EOS R Series all have great video performance. But, they are a little heavy for stick.
08-24-2019 04:38 AM
@JohnMartin wrote:I’ve been doing photography since I was 14, now I’m 18 and would say I’m pretty good at it, or I’ve been told I’m good.
I’m currently using the Canon 100d - this was my first dslr and I’ve loved it..
But I want to make an upgrade, I want to get a professional dlsr like a 6D Mrk 2 or a canon camera with 24 or higher megapixels..
Do you recommend any under £1700
I also do video work so I’m also looking for something that suits photography and video
Hi John:
It would help to know what lens or lenses you currently have.
What PRECISELY is it about the camera you have that limits you? I want you to consider and express what the camera stops you doing, and how a different camera will either improve your photography or remove a constraint to you improving.
What sorts of subjects do you shoot?
What kind of output do you intend to create: e.g. digital images for posting on the web, small prints, large - high res prints?
What makes you choose to look at the MP value of the camera specifically?
08-24-2019 07:42 AM
@JohnMartin,
90D.... any day now.
~Rick
Bay Area - CA
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08-25-2019 12:36 PM - edited 08-25-2019 12:38 PM
"I want to get a professional dlsr like a 6D Mrk 2 or a canon camera with 24 or higher megapixels."
Simple you want the new 90D with 32 MP sensor. I am guessing it wil come in around $1200 USD. However, a camera with a 32 MP APS-C sensor is going to demand the highest quality glass. In this case that means Canon "L" lenses as no 'kit' lens has the IQ to use a 32 MP sensor.
08-25-2019 03:27 PM
@ebiggs1 wrote:"I want to get a professional dlsr like a 6D Mrk 2 or a canon camera with 24 or higher megapixels."
Simple you want the new 90D with 32 MP sensor. I am guessing it wil come in around $1200 USD. However, a camera with a 32 MP APS-C sensor is going to demand the highest quality glass. In this case that means Canon "L" lenses as no 'kit' lens has the IQ to use a 32 MP sensor.
Which serves as a reminder that Canon's "L" zooms are not manufactured in focal lengths that are ideal for an APS-C camera. EF-S 50-150mm f/2.8L IS USM, where are you? Actually, even a non-L version of that lens might be welcomed. It would pair nicely with the EF-S 17-55mm f/2.8 USM.
08-25-2019 04:15 PM
Robert I had two of Sigma's version of the 50-150mm f2.8 lens. Absolutely loved them but even Sigma has discontinued them????
It really begs the question why Canon has ignored what seems like such a good FL for croppers. And why no 150-600mm super zoom?
Sigma does have an outstanding, actually much better lens albeit a little short, the Sigma 50-100mm f/1.8 DC HSM Art Lens.
The Sigma 18-35mm f/1.8 DC HSM Art Lens and the Sigma 50-100mm f/1.8 DC HSM Art Lens just might make a 90D too hard to resist. Those lenses and 32 MP, man, I could totally get into it.
08-25-2019 04:55 PM
While I am in no doubt as to the expertise of the advice being given, I AM in doubt as to what the OP is trying to achieve and hence the true benefit to him: see my post on GAS.
1. We don't know what kinds of things he is photographing,
I observe the advice given is for a general purpose lens configuration, but that has not been defined by the OP apart from doing video.
2. We don't know what he produces, and as I continue to maintain there is a massive difference in producing images for digital rather than high-quality print media.
3. We don't know what specifically he is trying to improve in his photography apart from an increase in MP size - to me a professional camera is not specific enough - it's a set of features, but we have had no indication of what is holding him back right now.
08-25-2019 06:59 PM
I admit we, I, sometimes wander a bit but it does provide plenty of gray matter fodder. Each must make decisions whether what I see as a great outfit is such for them.
The question is, is there anything wrong with my current camera/combo? Is it holding me back because it lacks features that I need? Obviously the OP thinks it is. These are just some avenues he needs to consider.
Plus, I just want a new camera! I have had the disease several times.
08-25-2019 07:32 PM
@ebiggs1 wrote:Robert I had two of Sigma's version of the 50-150mm f2.8 lens. Absolutely loved them but even Sigma has discontinued them????
It really begs the question why Canon has ignored what seems like such a good FL for croppers. ...
Yes! In fact, I still have my Sigma 50-150 f/2.8. It doesn't get used, because I now have two FF cameras and my wife prefers the lighter Canon 28-135 for her 7D2. But I got a lot of good use out of it, back in the day.
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