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Not great images with new 6D. Please take a look and give me your thoughts

Brad
Enthusiast

I'm going on a 2 week trip to Japan in 3 days so I'm hoping to figure this out before I leave.

I got my new 6d with 24-105 L lens kit, and also the 70-300mm f/4-5.6 IS USM. It doesn't seem like any of the photos are that sharp without a very high contrast shot in full sunlight. Indoor shots or those with lower contrast (tree bark, leaves, something in the shade, etc.) seem pretty unsharp to me. I'm not sure if the AF just can't get a precise focus, or if the sensor just can't get good detail unless those conditions are met.

This is my first DSLR, although I've had film SLRs for 30+ years before that, and digital point and shoots for the last decade or so. I'm not sure if my expectations were too high or if there's something wrong with the camera, lenses, AF, or IS systems, or if I'm doing something wrong.

Some photos are below. I shot them all above the 1/focal length rule and some 2x or 3x or more above that, so in theory that would eliminate the camera shake issue, and also in theory the IS system should give you 2-3 stops so it doesn't seem to me that camera shake should be the issue. (I've also taken tripod shots and had the same issue so I don't think it's camera shake.)

All are large fine jpegs (20mb) straight from the camera, blown up to 100%.


santa1 Indoors daylight, no interior lights on, 24mm focal length, 1/30, ISO 1000

santa1.JPG


santa2 Indoors daylight, with interior lights on, 105mm focal length, 1/125, ISO 6400

santa2.JPG


santa3 Indoors daylight, with interior lights on, 300mm focal length, 1/320, ISO 10000

santa3.JPG


santa4 Indoors daylight, with interior lights on, 300mm focal length, 1/640, ISO 20000

santa4.JPG

 

 

wall1 outdoors, 105mm focal length, 1/500, ISO 100

wall1.JPG


wall2 outdoors, 270mm focal length, 1/500, ISO 100

wall2.JPG


treebark1 outdoors, 70mm focal length, 1/125, ISO 25600

treebark1.JPG


treebark2 outdoors, 300mm focal length, 1/320, ISO 25600

treebark2.JPG


license1 outdoors, 300mm focal length, 1/320, ISO 25600

license1.JPG


leaves1 outdoors, 70mm focal length, 1/320, ISO 25600

leaves1.JPG


leaves2 outdoors, 300mm focal length, 1/320, ISO 500
leaves2.JPG

 

truck, 105mm focal length, 1/250, ISO 100

truck.JPG

 

 

Other than the truck badge and maybe the wall photos (high contrast, full sunlight), most of them don't seem that sharp to me. What do you guys think? Most people are raving about how good the low light performance is on the 6d but I'm just not seeing it, not even in moderate light.

Here's a link to where someone compares a few different cameras one of them being the 6d. My images are not as sharp as them as far as I can tell.
http://www.etherpilot.com/photo/test/misc/6d_5d3_d600_colfix.jpg

Any thoughts or suggestions you can give are greatly appreciated! Thanks! 

53 REPLIES 53

cicopo
Elite

The indoor photos look a bit soft but the outdooe shots show some decent detail. From what I've read so far (& keep in mind I have no interest in buying a 6D so I'm not reading that much) it's recommended that you rely on the single center AF point in low light. I've also seen mention that it does support micro adjustment for lenses, which may be needed. I know that I could see a difference on my 7D / 24-105 L when I went through the process. Here's another thread re the 6D & about 1/2 way down the first page you'll see mention of the MA being do able at both ends of the zooms, which wasn't the case with the 7D.

 

Micro Adjustment is the carefull matching of the AF to individual lenses. It cancels out the minor differences in manufacturing tollerance variations between the lens mount to sensor distance through fine tuning of the AF system's electronics.

 

You may also want to try some different settings for the in camera sharpening (for jpg's). There is a set of menu items that allow you to make changes to sharpening, contrast, saturation etc. Don't be afraid to bump each up a step or 2 & see what they do to your images. Keep notes & back them down to the starting point if you don't like what you see. It's all in the fine tuning

"A skill is developed through constant practice with a passion to improve, not bought."

ScottyP
Authority

You may have 2 problems, neither of which are the camera.  First is ISO's that are too high to avoid grainy mess.  The other is the limitations of the 300mm long end of the 70-300mm zoom lens. 

 

1.)  ISO.  Some of your ISO's are just way, way too high. 

 

I would not expect anything to look good blown up 100% or more like that if the ISO is above 3200, at least not without some serious NR done in post.  You have a lot at 20,000 or even 25600.  The only time anyone should shoot at 25600 would be if it was dusk, and your flash was dead, and you suddenly spied Bigfoot and needed something grainy and awful to prove it.Smiley Wink

 

2.)  Telephoto zoom limitations: 

The leaves at 500 ISO look better, but they are shot at 300mm before being blown up 100%.   That is a double-tough test for some leaves at a long distance like that.  Same with your 300mm Santa shot.  At that point I don't think the problem is noise, but rather the resolution of your zoom lens at 300mm, which is going to be the weakest point of that lens.  If you want sharp leaves at 300mm and cropped 100% you'd need a much more expensive "L" lens.  http://www.the-digital-picture.com/Reviews/Canon-EF-70-300mm-f-4-5.6-IS-USM-Lens-Review.aspx

 

Also, if those leaves were not dead-center in the shot they will suffer additional IQ degradationjust for that; the corners are weaker on all lenses...

 

3.)  Center point focusing:

I would also try to use single-point (center point) focusing instead of letting the camera pick one of the 11 AF points and see how that looks.  It helps get the camera's best possible focus on the subject.  A lot of the time an out-of-focus shot of your subject is actually a perfectly focused shot of something else which you had no desire to focus on.

 

 

The closer-up ones at more moderate ISO look pretty good.

Scott

Canon 5d mk 4, Canon 6D, EF 70-200mm L f/2.8 IS mk2; EF 16-35 f/2.8 L mk. III; Sigma 35mm f/1.4 "Art" EF 100mm f/2.8L Macro; EF 85mm f/1.8; EF 1.4x extender mk. 3; EF 24-105 f/4 L; EF-S 17-55mm f/2.8 IS; 3x Phottix Mitros+ speedlites

Why do so many people say "FER-tographer"? Do they take "fertographs"?

Thanks cicopo for continuing to help me figure this issue out.

 

You mentioned another thread about microadjustments but didn't link to it. I found this article so I'll read more and see if that's something that I need to do. http://learn.usa.canon.com/resources/articles/2011/af_microadjustment_article.shtml

 

The center AF point makes sense for low light. I'll try that and see how it goes. Thanks for the tip.

My bad, forgot to add the link.

 

http://www.fredmiranda.com/forum/topic/1172848

 

Also agree that anything over ISO 3200 might get a bit noisy & as the noise creeps in the detail goes away, but you should still be able to get decent images these days at 6400 if your exposure is on the money, so IF you need to shoot at 6400 try a few shots with slight changes to the Tv or Av..

"A skill is developed through constant practice with a passion to improve, not bought."

Thanks for your insights ScottyP...

 

ISO is high in a some of them because I was in Tv mode to set the shutter speed faster than the length of the lens to try to eliminate camera shake from the equation. But of course having high ISO also adds another wrinkle to the equation too I understand.

 

RE: tele lens limitations. Yeah I get your point about viewing at 100%. Not that I plan to really view photos like that in real life blown up that far (but I guess you never know), but I'm just trying to get an idea if the results I'm getting are normal or if there's something wrong with the camera or something wrong that I'm doing. All over the web I see photo comparisons of images blown up 100% and most of them look much better than the results I'm getting. For example the link I included in my original post and this one http://www.kenrockwell.com/canon/6d.htm

Granted he's using an L lens for those shots but none of my shots with my 24-105 L lens are looking that sharp so that's why I'm a bit concerned.

 

For the example images I tried to use the example of where the AF point focused so that they'd be as sharp as possible. On some shots I also ramped up the f stops so I'd have plenty of DOF to eliminate that from the equation too.

 

I will start using the center point AF more and see how that goes.

 

Just trying to get this all figured out as much as possible before I leave on my trip in 3 days. I'll shoot raw so i can do some post if needed, but obviously I want to make sure that I'm starting with the best images possible from the get go.

 

Thanks for your points and please do let me know if you have any more thoughts about this. Like I said, this is my first DSLR so I'm not at all sure what is good and what is normal at this point.

Sounds like a really great trip.  Hope you have a great time.

 

My suggestions would be to set a top end peg on ISO of 3200 (or even 1600). 

 

Get a flash and take it with you (or buy one over there!) so you can stay well below the garbage ISO range.  Try to shoot the flash by bouncing it off a white/neutral ceiling or wall rather than directly-on whenever possible.

 

I would keep the 70-300 down to 200 or so on anything other than distant landscapes, seascapes, things where individual details are irrelevant.  "Zoom with your feet" wherever safely possible, and your results will be much better even with an "L" lens. 

 

If you really need/want excellent image quality in that particular focal range down the road, consider maybe a 300mm f/4 prime ($1200.00 new, lower used). 

 

I would also pick up a copy of Adobe Lightroom.  I have version 3, but they are selling version 4 now.  It organizes your photos in addition to all the post processing stuff like noise reduction, white balance, sharpening, etc...  It makes a world of difference.

 

I would also shoot in the mode that gives you JPG plus RAW.  If you get a shot over there that is just a little off (too dark or bright or with an ugly orange color cast, etc.) you can rescue a RAW image way past a point where you would destroy a JPG image trying.  Especially on a vacation where you can't just go back next month and re-shoot something.

 

 

Scott

Canon 5d mk 4, Canon 6D, EF 70-200mm L f/2.8 IS mk2; EF 16-35 f/2.8 L mk. III; Sigma 35mm f/1.4 "Art" EF 100mm f/2.8L Macro; EF 85mm f/1.8; EF 1.4x extender mk. 3; EF 24-105 f/4 L; EF-S 17-55mm f/2.8 IS; 3x Phottix Mitros+ speedlites

Why do so many people say "FER-tographer"? Do they take "fertographs"?

I have to agee with some of Scotty's suggestions but to date I haven't found any use for Lightroom so download the trial offer & try it for the 30 day period to see if you like it before buying. I've used Picasa for most of what it does (free) & either Photoshop Elements or the full blown program for the rest (sign up & take some lessons at Lynda.com. if you but ANY of them). I also can't find any reason to suspect problems with shooting the 70-300 IS above 200 mm. I haven't shot it but did shoot the 70-300 DO for a while & many say they are so close the DO is a waste of money when compared to the other. There are way too many user complaints on the internet from people who never perfected their technique so how you use it & what it delivers is on you.

 

http://www.fredmiranda.com/reviews/showproduct.php?product=294&sort=7&cat=27&page=2

"A skill is developed through constant practice with a passion to improve, not bought."

@cicopo:

I never really tried out the free PP software that comes from Canon, but I understand it is better than what you get from Nikon.  Have also never tried the web-based ones.  I am sure they all work, I just really love LR.  Every time I think I know everything it can do, there is another there waiting to tackle.  I also bought Photoshop Elements but have not even gotten around to using it yet.  I really do need to sit down and get into it, though.  I am certain I am missing out on some useful tools there.

 

 

 

 

Scott

Canon 5d mk 4, Canon 6D, EF 70-200mm L f/2.8 IS mk2; EF 16-35 f/2.8 L mk. III; Sigma 35mm f/1.4 "Art" EF 100mm f/2.8L Macro; EF 85mm f/1.8; EF 1.4x extender mk. 3; EF 24-105 f/4 L; EF-S 17-55mm f/2.8 IS; 3x Phottix Mitros+ speedlites

Why do so many people say "FER-tographer"? Do they take "fertographs"?

Google videos are your friend.  Google Videos is/are better than youtube because they include all of youtube plus everything else.

 

You would be amazed how many user-created demos/tutorials/tips videos are out there.  Even more amazing is how specific these videos are.  Specific to your model number of camera, of flash, of lens.  Specific to your particular tiny issue about Lightroom or Photoshop or whatever.

 

As for good learning/informational DSLR websites, here is a list of my personal favorites:

 

http://www.cambridgeincolour.com/

http://www.the-digital-picture.com/Reviews/

http://www.canonrumors.com/

http://www.lensrentals.com/rent/canon/lenses/telephoto/sigma-50-500mm-f4.5-6.3-hsm-os-for-canon

 

The Digital Picture has great reviews, plus a unique lens comparison tool (ACTUAL IMAGES!) in their "TOOLS" tab.

Lens Rentals contains Roger C's very well-informed, well-respected, and VERY witty commentary on lenses.

Cambrige in Colour gives a nice, refreshing and very civilized British sensibility to things, and is welcoming to beginners, and has good short writings on basic digital photography concepts.

Canon Rumors tells you (sometimes) when new equipment is coming out, and has a lively forum that is less flame-y than Nikon Rumors. 

 

 

 

 

 

Scott

Canon 5d mk 4, Canon 6D, EF 70-200mm L f/2.8 IS mk2; EF 16-35 f/2.8 L mk. III; Sigma 35mm f/1.4 "Art" EF 100mm f/2.8L Macro; EF 85mm f/1.8; EF 1.4x extender mk. 3; EF 24-105 f/4 L; EF-S 17-55mm f/2.8 IS; 3x Phottix Mitros+ speedlites

Why do so many people say "FER-tographer"? Do they take "fertographs"?
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