09-04-2013 02:30 PM
Will the phase detect 19 point AF system in the 70D track subjects moving toward the camera at 100 miles per hour in AI Server mode? In other words, is the 70D usable for still photos of aircraft in flight, horse racing and automobile racing? Any references to articles on the 70D AF sustem that discuss its ability to track subjects moving toward the camera would be appreciated. Thanks.
Bill
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05-13-2014 02:23 PM
Thanks Ed, but you haven't seen just how terrible a people photographer I am. Ne wedding work for me unless it's just casual snapshots. I do however agree with Skirball's assessment of why artificial reach trumps FF for things like birds & aviation. A cropper & 100-400 or 400 L f5.6 has a lot going for it relative to what you'd need to shoot on a full frame body when you can't at least fill half the frame with the target.
Garry, if you take the time to learn how to properly shoot prop planes you'll also be able to shoot motorsports well because the same rules apply. For motorsports you want a sharp car or motorcycle etc but blurred wheels / tires & background. Also if you are serious about all of this you can get lots of good practice at panning along a busy road. Try your hand at it at safe shutter speeds & as you get better lower them until you've got way down & just can't get perfection. Once you know your current limit work within your skill set knowing more practice will yeild better results over time.
If you're really serious about it find a local R/C club & volunteer some time shooting there or at local events. Share your results & it won't take long before they likely give you flight line access. Clubs are always happy to get nice photos of member planes or events. My photo albums have increased pilot participation & helped get sponsors because they show how successful the events are. Last year one of the events I've been shooting for years became the 3rd largest of it's kind in North America & one sponsor (there were more than one) donated over $8K in draw prizes. I suspect we'll be bigger this year (which means I'll have a very hard time finding time to eat my lunch).
05-13-2014 04:30 PM - edited 05-13-2014 04:31 PM
I would venture a bet. I bet a 5D Mk III, with your glass and in your hands would produce so nearly the exact same result that it would take a true pixel-peeper to see a difference. If in fact if even there was any difference.
You however, like me I confess I still do it too, grab our 7D's and bolt up the big lens and go shoot. Could also be why the birders snap up every 1D Mk IV there is and keep prices of used Mk IV's so high. There will be no more 1.3 crop bodies most likely and they want'em. They want that extra reach, real or imaginary.
When I do a wedding, I sit the 7D at the back of the church on a tripod with the 100-400mm on it and probably always will.
Yor sig really tells it all ....
"A skill is developed through constant practice with a passion to improve, not bought."
05-13-2014 05:26 PM - edited 05-13-2014 05:27 PM
7D is long gone but served me well. It was pushed aside by one of those 1D4's and I do like it a lot. My current list of bodies is a Nikon D7100 (1.5 crop ratio) and the rest is all Canon 1d2n, 1Ds2 & the 1D4 plus a G9 (for underwater use) & SX50 IS to keep in the car. I bought the Nikon after giving a Nikon shooter some pointers at an event that got me thinking just how close the artificial reach might be between the D7100's 24 Mpixels at 300 mm and the 1D4's at 400 mm. The FOV for the Nikon was marginally wider but I had a lot more pixels on target with it which would allow deeper crops HOWEVER the Nikon lenses just can't af fast enough (or accurately enough) for my R/C stuff. I will also note they didn't cost anywhere near what my Canon lenses do. Good stuff for the money but doesn't meet my needs for R/C but it's a lighter travel kit.
I'm sure I'd enjoy a 5D3 but what I have is doing the job perfectly & when I miss a shot or set it's me & not the equipment so buying a new body really won't net me any gains. Someone recently sold a 1Ds3 locally that really tempted me because they eventually lowered the price to $1800 before it sold & I was thinking any lower & I wouldn't be able to resist. There was also a 5D3 & 3 lens kit up for sale that tempted me but for now I'm happy with my results & the gear (bodies & lenses) I have so any extra money can be spent on travel or other hobbies.
05-13-2014 10:56 PM
Dear ebiggs1:
Thanks for your thought provoking discussion.
I accept your experience that there is essentially no difference between an image from a APS-C sensor and an image from a FF sensor cropped down to APS-C size.
The second part of my question: Is the dual pixel focusing of the 70D superior to the Canon 6D focusing system.
I'm having a lot of challenges getting the focus I want with the 6D. I'm constantly switching between all 11 sensors and center spot sensor. If I use all 11 sensor points while shooting birds, the camera usually chooses the closest point, which is usually not the bird, more specifically, not the bird's eye. So I switch to center point and focus on the eye. When the bird takes flight, I want to have all 11 sensors active as it's often too challenging to use the center point focus on the bird ( especially when the bird is far away and flying erratically.) Also, the sensor has nothing other than the bird to focus on, so I'm pretty much sure that at least part of the bird will be in focus (assuming I track and half press the shutter release in time).
Seems like the 70D will be much better for birds in flight. What do you think? Is it worth buying the 70D to get the superior focusing technology?
An aside: You quoted the pixel size of the 7D at 4.3microns. I've read other references that confirm that quoted size. I calculated the pixel size for square pixels and came up with 3.5 microns, smaller than the quoted value with no allocation for space between active pixel area. The diagonal of a 3.5 micron square is 4.95 microns. Still off of the quoted size of 4.3 microns. If we allow 0.45 micron space between active pixel area, the pixel size comes out to be 4.3 microns. Just so everyone knows, it appears that Canon is using the diagonal of the pixel to quote size.
05-13-2014 11:40 PM
Dear Skirball,
Thank you so much for your response to ebiggs posting. I would like to comment if I might...
Your second comment in response to ebiggs follws;
"ebiggs1 wrote:
When the FF image is 'cropped' to where it matches the “subject size” of the same image from the crop-sensor, there is not a great deal of difference in the image quality. In this case of a 5D Mk II vs a 7D.
That's not necessarily true, not if the resolving power of the lens is good enough to not limit the crop sensor, and providing we're at low ISO. You're now comparing an 8 MP image to an 18 MP. It's a significant enough difference to be able to see."
If you review my posting of 05-12-2014 11:39 PM, you'll note that I address the issue of lens resolving power versus sensor resolving power.
I can recommend a thorough article on resolving power in the following link:
http://vitaleartconservation.com/PDF/affects_of_lens_quality_on_image_resolution_v3a_draft.pdf
He states that lenses demonstrating 100 line pairs per mm (lp/mm) are, " Selected first-tier prime lenses at optimal f-stop; Nikon, Canon & Zeiss"
He states that lenses demonstrating 120 lp/mm are " A handful of first-tier prime lenses at optimal f-stop (f/4.5-5.6); no LF or zoom lenses "
So allowing for 130 or 140 lp/mm is extremely generous in calculating lens resolving power.
This and many other authors quote that upper limit on the most excellent modern commercial lenses at 140 line pairs per millimeter and only under optimal conditions.
Based on that value, a FF sensor will have 14.5 effective megapixels. An APS-C sensor will have 5.5 effective megapixels.
It should be clear from these considerations that the lens is the limiting factor in resolving power in APS-C sensors of greater than 5.5 megapixels and in FF sensors with greater than 14.5 megapixels.
If this is true, the APS-C offers no advantage over the FF cropped down. ebiggs confirms this claim.
Have you performed controlled experiments that refute this hypothesis?
05-13-2014 11:56 PM
Dear Cicopo,
Thanks for all your advice. I try some of the exercises that you suggested in developing my panning techniques. Your portfolio is very impressive! You're a great photogrpher. The R/C clubs are lucky to have you. It seems that the visibility of your work has really help raise a lot of funds.
So you seem to weigh in on Skirball's side, supporting the idea that a crop sensor will give better results than a FF cropped down. Skirball's supposition is that more pixels in the image gives better image quality. Author Tony Northrup supports this position. Theoretical considerations seem to belie that claim based lens limitations.
Can you confirm that shooting say at 400mm on APS-C is better than shooting 400mm on FF and cropping? Have you done controlled experiments?
On a new topic, I just read that Canon is planning to roll out a new 7D II sometime in summer or fall of 2014. I heard that the 7D is much more robust and "pro-feeling" than the 70D. What's your opinion of that? Is the 7D II worth waiting for?
05-14-2014 08:29 AM
I did a very quick comparison of the Nikon / 300 & Canon 1D4 / 400 last summer & it proved to be more pixels per duck for the Nikon. Unfortunately the Canon shot was OOF (camera focused behind the target) so although similar crops proved the Nikon had a bigger file the quality of the one image isn't really very helpful re sharpness etc. I'm planning on re doing the test because of this discussion & will try getting it done today (weather for today -Sat is rain but I think there should be some decent weather for a quick test. I intend to set up a test target & shoot with the camera locked down Plan is Nikon with both 70-300 VR & 28-300 VR at 300, Canon 1Ds2 with 100-400 @ 400, 1D4 with 100-400 @ 400.
I'm still thinking of a simple way to crop each sample to see the file sizes for an almost exact same FOV.
Re waiting for the 7D2 that's a tough call because of the things you may miss being able to shoot while waiting for actual stock to arrive on store shelves. Sometimes it's a short wait but not always and until we see real specs we have no idea just what's better about it & which fields of photography will benefit from it. Lets see how my test works out re the real or non existent artificial reach.
05-14-2014 09:45 AM
I can not comment specifically about hands-on use for a comparison between the 6D and the 70D. Since I own neither.
I have had a few folks in my class that have them but I personally do not have that expertise with either.
Remember it is possible with 'given' models, the crop factor advantage will be apparent and real. But when comparing similar models IE the EOS 7D and ESO 5D Mk II or Mk III, the crop advantage disappears.
I always use only the center, single point for birds or any wildlife for that matter I use the center point almost 100% of the time. And I have cameras that have 45 points! All the newer Canon cameras are extremely capable at auto focus.
Your lens choice can also be a factor on focus speed and accuracy. The lens can also affect your crop image sharpness. Even considering my above statement about the crop factor advantage being little to none, if one camera has a superior lens compared to the other, all bets are off. The better lens will most likely win out. Glass is where it's at.
"Is it worth buying the 70D to get the superior focusing technology?"
I am sorry but did you mention a budget? And do you already own a camera?
“... it appears that Canon is using the diagonal of the pixel to quote size.”
Again my fault,
I should have made this clear. Sometimes my fingers get in front of my eye-teeth and I can't see what I am typing! It is tough to put into words, that folks can understand, when it is second nature to old photographers like a few of us.
05-14-2014 09:53 AM
"You're a great photogrpher."
This is most likely the over ridding factor to whatever type photography issues you are discussing. It helps to be good and have good technics. And the more practice you have the better your shots will be.
05-14-2014 10:54 AM
Dear ebiggs1:
Thanks for your post of 05-14-2014 09:45 AM. Your expert opinion is highly appreciated.
You asked about my budget... My budget is not fixed. As with most purchasers, I experience budget creep. But to sum up my purchasing approach, I am a "Value Purchaser." I like to find buying opportunities where one can get 80% of the performance for 20% of the price. That spread might be an extreme example, but it demonstrates the idea. The 7D and the 70D are within my current budget, but 1D or 5D III are not unless I sell my 6D.
You asked what I own. Here's what's in my bag right now.
Canon 6D
Canon EF 24-105mm F/4L IS USM
Canon EF 70-300mm f 4-5.6 IS USM
Canon EF 300mm F/4L IS USM
Canon 1.4x Teleconverter III
I also have some legacy lenses (Adapted to EOS) form my active days about 30 years ago. Notables include:
Zeiss Distagon 35mm F/1.4
Zeiss Planar 50 F/1.4
Zeiss Planar 85 F/1.4
I also have a handy Sony NEX-3N with a SELP 16-50mm for the car.
I also just purchased Lightroom 5.
I did consider the Tamron 150-600mm F/5-6.3 but it got mediocre reviews on YouTube (See Tony Northrup)
Am considering the Canon 70-200mm F/2.8L IS USM.
Did consider the Sigma 500mm F/4 for $5000 but it's not IS.
Did consider the Canon 400mm F/5.6 but it's not IS. (Tony Northrup rates this very highly.) I am hoping to get close to the quality of this lens with the Canon 300mm F/4L IS and a Canon 1.4x III.
The later two lenses would be fine for tripod work but not for birds or planes in flight, unless I get a lot steadier.
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