09-24-2014 10:09 AM
09-24-2014 11:15 AM
The best wide angle lens for architectural would be the 17 mm TS-E for your crop camera or the even better 24mm TS-E II, but that's only really wide angle on a full frame. But that's simply "the best", not necessarily the best for you and your needs. Tilt shift lenses are a different breed, I wouldn't recommend them if you currently only have 1 lens.
I guess you have to ask yourself what you're looking for. I don't know what you mean by architectural shots, it has a fairly specific meaning in photography. I'm going to assume you're not doing traditional "architectural photography", but more of night photos of buildings. Truthfully you're not going to see a huge difference in most lenses over what you're using. Lens speed doesn't matter, because you're using a tripod. Nicer lenses can produce sharper results, especially the ones above, but if you're not printing these out you won't see much there either.
I suspect what you want is to go wider. It's a common direction to take. When I started doing architectural/real estate work I'd slap on my 10-22, open it as wide as it would go, and fire away. As I got better I started using longer focal lengths, realizing that it's not about "getting it all in". But I digress, it's your art, and I've had a ton of fun with my ultrawide lenses... I just minimize they're use for traditional architectural work.
If you're looking for ultrawide I would get the new 10-18 STM; it's half the price of the excellent 10-22, but the images I've seen look impressive. It even added image stabilization, which, combined with the large apertures and slow shutter speeds you can use with UWA, could allow for a lot of hand held shots, even at night.
09-24-2014 12:23 PM
09-24-2014 01:07 PM
You have a good eye. And based on the photos, you're not just trying to go wide and take it all in. In fact your style seems to be quite the opposite. So I ask again, what more are you looking for in a lens?
09-24-2014 04:24 PM
Thank you very much! I appreciate you taking the time to look at my feed. Then maybe what I am most seeking is a camera that allows me achieve sharper images. Does that make more sense?
09-24-2014 06:42 PM
@ilovehatephoto wrote:Thank you very much! I appreciate you taking the time to look at my feed. Then maybe what I am most seeking is a camera that allows me achieve sharper images. Does that make more sense?
It depends. Mostly I'd say that the lens has to do more with sharp images than the camera, but camera has an impact too. But that answers my question of what you're looking for: sharper images. As opposed to a different focal length, faster lens, or something like a tilt shift.
I'm assuming you're using a tripod for those images. Providing that you have a good tripod and head then a camera isn't going to do much for sharpness if you're at reasonable ISO and not enlarging. What camera do you have?
There are certainly sharper lenses than what you're using. But how much impact that has on your work is hard to say. MFD charts don't necessarily correlate to real life results. The 17-55 is widely regarded as far as EF-S lenses are concerned. The EF 24-105 is a great lens at a great price, but it wouldn't be very wide on your crop sensor. Something like a 24-70 is super sharp, but again, is fairly long on a crop sensor, and gives you less range than the 24-105. I'd check what focal lengths you usually shoot at. I'd say that you're managing quite well with a single lens, so you probably want something with range. Primes are super sharp, and I love them myself, but I'm guessing that would probably cripple your flow (though sometimes it gets you to think outside the box).
You can also look at technique. As I mentioned before, a good tripod is invaluable for sharp night images. Do you use mirror lockup? What kind of shutter speeds are we talking, 1/2 second? 5 seconds? 30? What kind of post processing are you doing? Are you cropping a lot? Sharpening in post? Are you correcting verticals (it doesn't look like it, hence the tilt shift isn't going to do much for you)?
09-24-2014 10:50 PM
I can't help re the lens but very nice images at the link provided.
09-25-2014 07:54 AM
@cicopo wrote:I can't help re the lens but very nice images at the link provided.
Which incrases the importance of getting the selection right. Better equipment helps a good photographer more than it helps a mediocre one.
09-25-2014 10:00 AM
In my bag there are lenses from 8mm to 600mm and they are all "landscape" lenses. You need the lens you need to produce the shot you are looking for. Everybody seems to automatically recommend a WA or UWA for landscapes. Of course they work but so do all other lenses.
Did you mention what camera you have? If it is a FF, the 24-70mm f2.8 and 70-200mm f2.8 is the dream combo. There is really not much you can not do with these two lenses. If you have a crop body this combo will be a little long but you can still use that to your advantage. In this case, the addition of the 17-40mm f4 or the 10-22mm S lens would be nice to have.
If funds are not this robust another great lens for the money is the 24-105mm f4. Again a little long on a crop body so the 10-22mm S would go along nicely. Remember if you do have a crop body and have a desire to move to FF in the future, none of the "S" lense will go with you.
That is my take on what lens but what camera? Of course there isn't any better than the 5D Mk III and if money allows that is my choie for you. The new 7D Mk II looks very interesting. Now I will get all kinds of, "You can't shoot landscapes with a 7D" comments. Which is totally bogus. Certainly you can and do it well.
If money is really no object, dare I say a 1Dx ?
09-25-2014 10:06 AM
BTW, I was going to suggest you get Photoshop but after looking at several of your images, I see you may already have it.
The camera makes only a percentage of the photo. The rest is Photoshop.
Do you sell your work or is this a hobby for you?
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