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RF 24-240 vs EF 24-105 for flash use!

spresberg
Contributor

I'm trying to decide between the RF 24-240 f/4-6 and the EF 24-105 f/4. I have Canon R and R7 cameras. I have a converter so that's not an issue. I know the RF has a longer lens.  I need to use a flash for a conference (I never used one before).  Will the RF be more complicated because it changes f/stops when you zoom and the EF will not? OR am I mistaken?  I use right now the SIgma 18-300 lens and I was told that since it's a crop sensor (I use with my R) that it's much more difficult to use with a flash.  I'm looking for a lens to use with the flash for that event... but if I can replace the SIgma (all around lens especially for my travel photography) with a better Canon lens I'd like that too!

1 ACCEPTED SOLUTION

Tronhard
VIP
VIP

Hi and welcome to the forum:

To answer your question: The aperture on the EF 24-105L f/4 is a constant, while the RF 24-240 f/4-6 is variable - as indicated.  As you use longer focal lengths on that lens the aperture will get darker.  

The EOS R body, being full-frame, and having fewer  but larger pixels should exhibit considerably less noise and better low-light performance than the R7, so I would use the R7 purely as an emergency backup.  Where possible shoot available light, and that is where the EF 24-105 f/4 will work well.

If your Sigma lens is the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM -C, it is designed for a crop-sensor body - so should remain on the R7 rather than the R body: while it will physically attach to the full-frame R body via the adapter, the sensor capacity will be reduced from 26MP to about 10MP because the image projected will still be the size of an APS-C sensor, thus reducing the area recorded by the FF sensor by a factor of 2.65.   The Field of View of that lens is also the equivalent to that rendered by a 28.8-480mm lens on a Full-frame body, so do you need those characteristics?  I would question if this is going to be useful with a flash, which will have limited ability in terms of distance, which I will get to momentarily.

What do you know about the conference venue?  Environments can vary dramatically from bright outdoor or well-lit rooms to rather dark places with a lot of projector talks.  If you are know where it will be held, do research into that, visit the place and find out about the program and any restrictions on using flash - some don't allow that. Having flash firing can be very disconcerting to attendees and presenters. 

You also need to know how close you can get to the subjects: are you shooting social events where you mingle, or in a hall with the speaker some distance from you?   These all have significance to focal length and lighting.  If you are doing this officially, try to get a seat reserved for you in a strategic spot that YOU have figured out is best - don't rely on others.

You have not indicated what model flash you will use, and those vary dramatically in output levels.  Ideally, you want a flash that is fully compatible with the Canon R bodies so it works as transparently as possible.  The easiest method is to use the ETTL metering, but honestly if you  have not used a flash before, you need to get some experience with it before you commit to doing something for a client - paid or not.  A small flash will not do much for you at longer distances, and focal lengths. So you would have to consider something with a bit of power if you are not that close.

Frankly, it would be ideal if you can shoot with available light, using an open aperture and reasonably high ISO.  I did a conference using the EF 24-105f/4 predominantly, and never had a need for a flash. 

If you need to get group shots, take them outside, preferably on a set of steps, avoid harsh light as people wear sunglasses or squint, so light shade is preferable.  Tell them if they can see the camera it can see them - take several as there are always people blinking, looking away or yawning.
5DIII, EF 24-105L@32mm, f/7.1, 1/160sec, ISO-6405DIII, EF 24-105L@32mm, f/7.1, 1/160sec, ISO-640

In the venue, keep your verticals vertical - you aren't looking for drama that comes with tilt - it is disconcerting. Move so you can get specific sections of the audience.  This was an overall image showing the environment.
5DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-16005DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-1600

Shoot from different angles to catch different perspectives of the room and attendees
5DIII, EF 24-105L@24mm, f/7.1, 1/25sec, ISO-16005DIII, EF 24-105L@24mm, f/7.1, 1/25sec, ISO-1600

Be mindful of the benefits of being close to the speakers, and try to have them placed in front of their displays5DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-16005DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-1600

You will want shots of individuals, so again being close helps a lot, don't be afraid to move around, especially if you are the official photographer.
5DIII, EF 24-105L@65mm, f/4.5, 1/80sec, ISO-16005DIII, EF 24-105L@65mm, f/4.5, 1/80sec, ISO-1600   5DIII, EF 24-105L@105mm, f/5.6, 1/30sec, ISO-20005DIII, EF 24-105L@105mm, f/5.6, 1/30sec, ISO-2000

I hope this helps, and others will very likely have valuable guidance


cheers, TREVOR

The mark of good photographer is less what they hold in their hand, it's more what they hold in their head;
"All the variety, all the charm, all the beauty of life is made up of light and shadow", Leo Tolstoy;
"Skill in photography is acquired by practice and not by purchase" Percy W. Harris

View solution in original post

3 REPLIES 3

Tronhard
VIP
VIP

Hi and welcome to the forum:

To answer your question: The aperture on the EF 24-105L f/4 is a constant, while the RF 24-240 f/4-6 is variable - as indicated.  As you use longer focal lengths on that lens the aperture will get darker.  

The EOS R body, being full-frame, and having fewer  but larger pixels should exhibit considerably less noise and better low-light performance than the R7, so I would use the R7 purely as an emergency backup.  Where possible shoot available light, and that is where the EF 24-105 f/4 will work well.

If your Sigma lens is the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM -C, it is designed for a crop-sensor body - so should remain on the R7 rather than the R body: while it will physically attach to the full-frame R body via the adapter, the sensor capacity will be reduced from 26MP to about 10MP because the image projected will still be the size of an APS-C sensor, thus reducing the area recorded by the FF sensor by a factor of 2.65.   The Field of View of that lens is also the equivalent to that rendered by a 28.8-480mm lens on a Full-frame body, so do you need those characteristics?  I would question if this is going to be useful with a flash, which will have limited ability in terms of distance, which I will get to momentarily.

What do you know about the conference venue?  Environments can vary dramatically from bright outdoor or well-lit rooms to rather dark places with a lot of projector talks.  If you are know where it will be held, do research into that, visit the place and find out about the program and any restrictions on using flash - some don't allow that. Having flash firing can be very disconcerting to attendees and presenters. 

You also need to know how close you can get to the subjects: are you shooting social events where you mingle, or in a hall with the speaker some distance from you?   These all have significance to focal length and lighting.  If you are doing this officially, try to get a seat reserved for you in a strategic spot that YOU have figured out is best - don't rely on others.

You have not indicated what model flash you will use, and those vary dramatically in output levels.  Ideally, you want a flash that is fully compatible with the Canon R bodies so it works as transparently as possible.  The easiest method is to use the ETTL metering, but honestly if you  have not used a flash before, you need to get some experience with it before you commit to doing something for a client - paid or not.  A small flash will not do much for you at longer distances, and focal lengths. So you would have to consider something with a bit of power if you are not that close.

Frankly, it would be ideal if you can shoot with available light, using an open aperture and reasonably high ISO.  I did a conference using the EF 24-105f/4 predominantly, and never had a need for a flash. 

If you need to get group shots, take them outside, preferably on a set of steps, avoid harsh light as people wear sunglasses or squint, so light shade is preferable.  Tell them if they can see the camera it can see them - take several as there are always people blinking, looking away or yawning.
5DIII, EF 24-105L@32mm, f/7.1, 1/160sec, ISO-6405DIII, EF 24-105L@32mm, f/7.1, 1/160sec, ISO-640

In the venue, keep your verticals vertical - you aren't looking for drama that comes with tilt - it is disconcerting. Move so you can get specific sections of the audience.  This was an overall image showing the environment.
5DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-16005DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-1600

Shoot from different angles to catch different perspectives of the room and attendees
5DIII, EF 24-105L@24mm, f/7.1, 1/25sec, ISO-16005DIII, EF 24-105L@24mm, f/7.1, 1/25sec, ISO-1600

Be mindful of the benefits of being close to the speakers, and try to have them placed in front of their displays5DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-16005DIII, EF 24-105L@24mm, f/7.1, 1/20sec, ISO-1600

You will want shots of individuals, so again being close helps a lot, don't be afraid to move around, especially if you are the official photographer.
5DIII, EF 24-105L@65mm, f/4.5, 1/80sec, ISO-16005DIII, EF 24-105L@65mm, f/4.5, 1/80sec, ISO-1600   5DIII, EF 24-105L@105mm, f/5.6, 1/30sec, ISO-20005DIII, EF 24-105L@105mm, f/5.6, 1/30sec, ISO-2000

I hope this helps, and others will very likely have valuable guidance


cheers, TREVOR

The mark of good photographer is less what they hold in their hand, it's more what they hold in their head;
"All the variety, all the charm, all the beauty of life is made up of light and shadow", Leo Tolstoy;
"Skill in photography is acquired by practice and not by purchase" Percy W. Harris

Thank you SO much!  You went over an above what I could have expected as an answer!  I will practice using the flash for I know it's not intuitive (I have until Oct for the conference) which is why I'm asking now.  I bought a Canon Speedlite 430 EX II- I researched and thought this would be ok for the event (This isn't something I will do often so didn't feel I needed a professional grade speedlite).   I can still exchange it since I have not received it yet, if a different flash might be better.  I know the venue, being there numerous times (not the photographer, but an attendee) No issues using a flash.  It requires indoors (high ceilings) daytime shots (probably no flash required) as well as outdoors (cocktail hour in the evening) and indoors in the evening of speakers during award ceremonies; which is why I wanted a flash.  If I can get away using a high ISO I will (now that I understand why I've had a pixel/resolution issue!).  Thank you again for your time and examples!!!  I truly appreciate it!  

You are most welcome.  I hope it works out well for you!


cheers, TREVOR

The mark of good photographer is less what they hold in their hand, it's more what they hold in their head;
"All the variety, all the charm, all the beauty of life is made up of light and shadow", Leo Tolstoy;
"Skill in photography is acquired by practice and not by purchase" Percy W. Harris
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