08-27-2025 09:19 AM
The other day, I ran across a reference from an author who said that he uses a certain Kelvin number when shooting Monochrome. Theoretically, it seems to me that it shouldn't make a difference.
Do you shoot Monochrome at a certain temperature?
Steve Thomas
08-27-2025 10:18 AM - edited 08-27-2025 10:23 AM
An assumption followed by a guess as to why it might make a difference.
Assuming auto metering is set in the camera, a different white balance might result in different metering. Since there are red, green, and blue filters on the photosites of the sensor and they measure different intensities, it is possible that a different color temperature setting will result in different automatic metering.
For the question about what I do, I shoot in color and convert the raw to monochrome in DPP or a JPEG or TIFF to monochrome in Gimp. I usually use auto metering and set picture style in camera to "standard" and white balance to "auto, white priority" or "auto". The raw file usually has enough extra bits compared to JPG that original white balance will not change the auto metering beyond the range of the raw file.
In 2007, I could not afford enough storage for raw and my camera saved only jpeg.
I made this photograph of an alignment of Megalithic monuments, a stone circle, a passage tomb, and the grave of Maeve at Knocknarea seen from Carrowmore, Sligo, IE, on April 25, 2007 using old technology. On Jul 26, 2025, I used gimp 3 to convert it to black and white.
| EXIF:Camera | Make | Canon |
| EXIF:Camera | Model | Canon PowerShot A710 IS |
| EXIF:Camera | MaxApertureValue | 2.8 |
| EXIF:Camera | FocalLength | 5.8 mm |
| EXIF:Image | FNumber | 4.0 |
| EXIF:Image | ISO | 75 |
| EXIF:Image | ShutterSpeedValue | 1/403 |
| EXIF:Image | ApertureValue | 4.0 |
| EXIF:Camera | ExposureMode | Auto |
| EXIF:Camera | DigitalZoomRatio | 1 |
| EXIF:Camera | SceneCaptureType | Standard |
| EXIF:Camera | Contrast | Normal |
| EXIF:Camera | Saturation | Normal |
| EXIF:Camera | Sharpness | Normal |
| EXIF:Image | Software | GIMP 3.0.4 |
| EXIF:Image | ExifImageWidth | 3072 |
| EXIF:Image | ExifImageHeight | 2304 |
| EXIF:Time | CreateDate | 2007:04:25 08:01:41 |
| MakerNotes:Camera | ContinuousDrive | Single |
| MakerNotes:Camera | FocusMode | Single |
| MakerNotes:Camera | RecordMode | JPEG |
| MakerNotes:Camera | CanonImageSize | Large |
| MakerNotes:Camera | EasyMode | Full auto |
| MakerNotes:Camera | DigitalZoom | None |
| MakerNotes:Camera | CameraISO | Auto |
| MakerNotes:Camera | MeteringMode | Evaluative |
| MakerNotes:Camera | FocusRange | Auto |
| MakerNotes:Camera | AFPoint | Auto AF point selection |
| MakerNotes:Camera | CanonExposureMode | Easy |
| MakerNotes:Camera | ImageStabilization | On |
| MakerNotes:Camera | ZoomSourceWidth | 3072 |
| MakerNotes:Camera | ZoomTargetWidth | 3072 |
| MakerNotes:Camera | SpotMeteringMode | Center |
| MakerNotes:Camera | CanonModelID | PowerShot A710 IS |
| MakerNotes:Camera | AFAreaMode | Auto |
| MakerNotes:Camera | NumAFPoints | 9 |
| MakerNotes:Camera | ValidAFPoints | 9 |
| XMP:Unknown | Platform | Mac OS |
| XMP:Location | LocationShownCity | Sligo |
| XMP:Location | LocationShownCountryName | Ireland |
| XMP:Location | LocationShownProvinceState | County Sligo |
| XMP:Location | Country | Ireland |
| XMP:Location | State | County Sligo |
| XMP:Other | HistorySoftwareAgent | GIMP 3.0.4 (Mac OS) |
| Composite:Image | ImageSize | 3072x2304 |
| Composite:Image | LightValue | 13.1 |
| Composite:Image | Megapixels | 7.1 |
| Composite:Image | DOF | inf (1.00 m - inf) |
| Composite:Image | FOV | 55.3 deg |
In 2007 my web sever ran over low bandwidth copper wire ISDN. https://www.a-wee-bit-of-ireland.com/eire_2007/Knocknarea_1.html
Knocknarea. Queen Maeve (Medhbh), Goddess and mythical Queen of Connacht, is said to be buried in a mound on top of this hill. One of the famous stories about her is "The Cattle Raid of Cú Chulainn". This is said to have ended at Benbulben Mountain near Drumcliff.
Megalithic monuments were often aligned in a straight line.
08-27-2025 12:18 PM
John,
That's a nice picture.
I tooka couple of shots at 3900K and a couple at 5400K.
I seemed to like the 3900K shots better, but I'm not sure why. They seemed a little richer. I need to some more experimentation.
Steve Thomas
08-27-2025 04:10 PM
@stevet1 wrote:
John,
That's a nice picture.
I tooka couple of shots at 3900K and a couple at 5400K.
I seemed to like the 3900K shots better, but I'm not sure why. They seemed a little richer. I need to some more experimentation.
Steve Thomas
Thanks.
I am guessing that 3900K acts like applying a red filter. From a raw file it is possible to do the red filter in DPP as a software change instead of as a physical filter. In 2007, I did not have software that would do it so well. https://en.wikipedia.org/wiki/Monolith,_the_Face_of_Half_Dome#Development_process_and_technique "Photographic emulsions are less sensitive to red light, so photos of reds are darker and underexposed.[3] Adams decided to use a deep-red filter to transform the bright sky into a dark black background.[3] The harsh tones and contrast between the white snow and black sky make smaller details more clear, and the eye is immediately drawn to the highlighted elements."
For some Canon cameras, it is possible to apply the red filter to the jpeg in the camera. For my camera, https://cam.start.canon/en/C003/manual/html/UG-03_Shooting-1_0160.html#Shooting-1_0160_2
With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more.
| Filter | Sample Effects |
|---|---|
| N:None | Normal black-and-white image with no filter effects. |
| Ye:Yellow | Blue sky will look more natural, and white clouds will look crisper. |
| Or:Orange | The blue sky will look slightly darker. The sunset will look more brilliant. |
| R:Red | The blue sky will look quite dark. Fall leaves will look crisper and brighter. |
| G:Green | Skin tones and lips will appear muted. Green tree leaves will look crisper and brighter. |
Note
Are using out of camera JPG files or raw files?
If raw files, then in Canon DPP software you have the same options to create monochrome as in the camera. The raw data can often be brightened or darkened 2 or 3 stops without clipping the data to compensate for any change in automatic metering caused by changing the color temperature. And, the dynamic range can be extended slightly by increasing what DPP calls the "input white level" from 0.0 to 2.0 in case some highlights were clipped.
If in DPP, one saves a 16 bit color TIF file from the raw, then one can de-saturate the colors in Gimp using a different method than the camera. One can also lighten or darken the image slightly. Gimp offers to highlight shadows for the monochrome result. After this, it seems wise to me to do an additional unsharp mask.
08-27-2025 05:29 PM
John,
I just discovered that by using "Creative Assists" in the Playback menu, I can preview what the color picture would look like in Monochrome. That's pretty cool.
I shoot in CRAW these days, and for Monochrome, use the Orange filter most times.
Steve Thomas
08-27-2025 05:37 PM - edited 08-27-2025 05:41 PM
I found an example where I had used the red filter in Canon DPP software. I made this image with a nearly 45 year old vintage MC ROKKOR-X PG 1:1.4 f=50mm lens from a film camera and an Urth adapter on EOS R5. Since the lens has no electronics, it was all manual except shutter speed and ISO. https://www.rsok.com/~jrm/2021Jun06_birds_and_cats/2021jun05_storm_IMG_1702cv.html
There were storm clouds in Norman, Oklahoma, United States on June 5, 2021. I made this image with a nearly 45 year old vintage MC ROKKOR-X PG 1:1.4 f=50mm lens.
all edits done in DPP
| ExifTool | ExifToolVersion | 13.34 |
| File:Other | FileName | IMG_1702.dr4 |
| CanonVRD:Image | WhiteBalanceAdj | Shot Settings |
| CanonVRD:Image | MonochromeToningEffect | None |
| CanonVRD:Image | MonochromeFilterEffect | Red |
| CanonVRD:Image | UnsharpMaskStrength | 2 |
| CanonVRD:Image | UnsharpMaskFineness | 2 |
| CanonVRD:Image | UnsharpMaskThreshold | 3 |
| CanonVRD:Image | LuminanceNoiseReduction | 0 |
| CanonVRD:Image | ChrominanceNoiseReduction | 0 |
| CanonVRD:Image | ColorMoireReduction | 2 |
| CanonVRD:Image | ColorMoireReductionOn | No |
| CanonVRD:Image | GammaSaturation | 0 |
| CanonVRD:Image | GammaUnsharpMaskStrength | 4 |
| CanonVRD:Image | GammaUnsharpMaskFineness | 2 |
| CanonVRD:Image | GammaUnsharpMaskThreshold | 3 |
| CanonVRD:Image | GammaSharpnessStrength | 4 |
| CanonVRD:Image | GammaShadow | 0 |
| CanonVRD:Image | GammaHighlight | 0 |
| CanonVRD:Image | GammaBlackPoint | +0.000 |
| CanonVRD:Image | GammaWhitePoint | +1.199 |
| CanonVRD:Image | GammaMidPoint | +0.000 |
| ExifTool | ExifToolVersion | 13.34 |
| File:Other | FileName | IMG_1702.CR3 |
| MakerNotes:Camera | Quality | CRAW |
| MakerNotes:Camera | FocusMode | Manual Focus (3) |
| MakerNotes:Camera | RecordMode | CR3+JPEG |
| MakerNotes:Camera | CanonExposureMode | Aperture-priority AE |
| MakerNotes:Camera | Clarity | 1 |
| MakerNotes:Camera | CameraTemperature | 32 C |
| MakerNotes:Camera | CanonFirmwareVersion | Firmware Version 1.3.1 |
| MakerNotes:Camera | ShutterReleaseWithoutLens | Enable |
| MakerNotes:Camera | AddIPTCInformation | Enable |
| MakerNotes:Camera | MeasuredRGGB | 467 1024 1024 679 |
| MakerNotes:Camera | WB_RGGBLevelsAsShot | 2093 1024 1024 1762 |
| MakerNotes:Camera | ColorTempAsShot | 5871 |
| MakerNotes:Camera | WB_RGGBLevelsAuto | 2093 1024 1024 1762 |
| MakerNotes:Camera | ColorTempAuto | 5871 |
| MakerNotes:Image | MeasuredEV | 12.88 |
| MakerNotes:Image | MeasuredEV2 | 24.5 |
| MakerNotes:Image | PictureStyle | Standard |
| EXIF:Image | ExposureTime | 1/6400 |
| EXIF:Image | ISO | 320 |
08-27-2025 08:17 PM
John,
You're in Georgetown? I'm not too far out of Evansville.
You ever been to Murphy' Camera in Louisville?
Steve
08-27-2025 09:55 PM
@stevet1 wrote:
John,
You're in Georgetown? I'm not too far out of Evansville.
You ever been to Murphy' Camera in Louisville?
Steve
I am in Norman, Oklahoma, US
08-28-2025 09:50 AM
John,
Sorry about that. I went to the web page you first listed and looked at all your pictures.That must have been the address of the pixels.com people.
Steve Thomas
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