I'm trying to get a feel for whether this is a request for a camera body to be used for professional work vs. a camera body for personal work but for which the OP would like a high end camera. There are a LOT of nuances to wedding and event photography (besides just the camera) and I would encourage shooters to develop their skills for a few years before deciding to plunge in at any professional level.
Weddings venues (churches, synagogues, temples, etc.) are typically not very well lit and flash photography is typically NOT permitted during the ceremony (but is permitted before and afterward). Most cameras will really struggle at this.
This puts full frame bodies and low-focal-ratio lenses at the top of the list... but this is expensive gear.
A "basic" pro system might be:
A 5D III body with an EF 24-70mm f/2.8L USM II and EF 70-200mm f/2.8L IS USM II and a couple of Speedlite 600EX-RT units would be great... but _very_ expensive (about $8500 for all that).
And a true pro would have back-up gear (running the price tag up even higher).
A less-expensive body that would handle the high ISO shooting needs with very low noise would be a 6D body, but you'd still want an f/2.8 lens... such as the EF 24-70mm f/2.8L USM II... and a speedlite. So that's still about $4000-4500.)
On the budget side, you could do an APS-C body such as the T5i or the new 70D. There's not much point in using a 7D for weddings unless you also happen to want it to go shoot sports or action photos (most of the features that drive up the price tag on the 7D all for high-speed shooting performance, which isn't typically needed for wedding & event photography. It's also a downgrade in terms of video use.) I'd lean in favor of the 70D body if you're thinking you might want to get serious about photography because the body is physically "roughly" the same size, but the control layout on a 70D is more similar to the pro bodies with two dials instead of one. That means that when you're shooting on manual it's easy to adjust both shutter and aperture simultaneously while looking through the viewfinder and without having to press any extra buttons. The 70D has a much better focus system for stills and a VASTLY better focus system for video.
Anything you can do to get low focal ratio lenses will be a huge help when you're shooting in dark venues. The EF-S 17-55mm f/2.8 IS USM would be a good lens for that and costs less than $1000 (actually it's currently less than $900... vs the price for the EF 24-70mm f/2.8L USM II which is more than double the price tag.) The ability to shot at high ISO with low noise on these APS-C bodies wont compete with what a 6D and 5D III body can do... those cameras are in a completely different league.
If you try to shoot a wedding with a kit lens (e.g. EF-S 18-55mm f/3.5-5.6 IS STM or EF-S 18-135mm f/3.5-5.6 IS STM you'll find the camera generally STRUGGLES with the low-light problem and the shots will show a lot of "noise" in them. That might be ok if these are personal photos but they're definitely not acceptable for professional use if that's the direction you're leaning toward.)
It is fairly common to have churches with lighting during the ceremony where the exposure is ISO 6400, f/2.8, & 1/60th. Such an exposure is not a big deal for a full-frame body. But an APS-C body is going to show a lot of noise at ISO 6400... then take away the f/2.8 lens so you're stuck at f/5.6 and you've lost two stops... so now you're at ISO 6400, f/5.6, & 1/15th ... which is not only going to have a lot of noise and runs a high risk of being blurry due to camera movement.
Tim Campbell
5D III, 5D IV, 60Da
