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    <title>topic Exposing for Clog / Clog 2 / Clog 3 in Professional Video</title>
    <link>https://community.usa.canon.com/t5/Professional-Video/Exposing-for-Clog-Clog-2-Clog-3/m-p/230689#M265</link>
    <description>&lt;P&gt;Hi, I am a cinematographer from chennai and I am going to shoot a documentary with Canon C300 Mark II&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;I have 2 primary questions&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;How do I expose for Clog ?, should I overexpose by 1 or 2 stops like with do on the Sony Slog2/Slog3 for lesser noise in the shadow region or do I just expose for optimal levels on the waveform monitor ?&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Is the there a huge color difference between RGB 444 12bit and Ycbcr 422 10bit , ofcourse the best way to find out is to do the test myself but I am in a time crunch and I would like see what the pro users say, so that I can have that in mind while I am making my test.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Thank you,&lt;/P&gt;&lt;P&gt;Srinivasan Venkatesh&lt;/P&gt;&lt;P&gt;Filmaker | DP | Director&lt;/P&gt;</description>
    <pubDate>Fri, 19 Jan 2018 19:37:37 GMT</pubDate>
    <dc:creator>srinivasan</dc:creator>
    <dc:date>2018-01-19T19:37:37Z</dc:date>
    <item>
      <title>Exposing for Clog / Clog 2 / Clog 3</title>
      <link>https://community.usa.canon.com/t5/Professional-Video/Exposing-for-Clog-Clog-2-Clog-3/m-p/230689#M265</link>
      <description>&lt;P&gt;Hi, I am a cinematographer from chennai and I am going to shoot a documentary with Canon C300 Mark II&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;I have 2 primary questions&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;How do I expose for Clog ?, should I overexpose by 1 or 2 stops like with do on the Sony Slog2/Slog3 for lesser noise in the shadow region or do I just expose for optimal levels on the waveform monitor ?&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Is the there a huge color difference between RGB 444 12bit and Ycbcr 422 10bit , ofcourse the best way to find out is to do the test myself but I am in a time crunch and I would like see what the pro users say, so that I can have that in mind while I am making my test.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Thank you,&lt;/P&gt;&lt;P&gt;Srinivasan Venkatesh&lt;/P&gt;&lt;P&gt;Filmaker | DP | Director&lt;/P&gt;</description>
      <pubDate>Fri, 19 Jan 2018 19:37:37 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/Professional-Video/Exposing-for-Clog-Clog-2-Clog-3/m-p/230689#M265</guid>
      <dc:creator>srinivasan</dc:creator>
      <dc:date>2018-01-19T19:37:37Z</dc:date>
    </item>
    <item>
      <title>Re: Exposing for Clog / Clog 2 / Clog 3</title>
      <link>https://community.usa.canon.com/t5/Professional-Video/Exposing-for-Clog-Clog-2-Clog-3/m-p/232777#M266</link>
      <description>You expose Log 2 so that the 18% gray card reads as ~40 IRE and you expose lLog 3 so that it reads ~35. The Canon white paper has more specifics.</description>
      <pubDate>Wed, 31 Jan 2018 06:16:40 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/Professional-Video/Exposing-for-Clog-Clog-2-Clog-3/m-p/232777#M266</guid>
      <dc:creator>mizzar</dc:creator>
      <dc:date>2018-01-31T06:16:40Z</dc:date>
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