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    <title>topic Re: EOS C70 output problem in Professional Video</title>
    <link>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/379026#M2226</link>
    <description>&lt;P&gt;Have forwarded this thread to rs-eos (ricky) to see if he has anything to add.&lt;/P&gt;</description>
    <pubDate>Wed, 13 Jul 2022 14:37:41 GMT</pubDate>
    <dc:creator>shadowsports</dc:creator>
    <dc:date>2022-07-13T14:37:41Z</dc:date>
    <item>
      <title>EOS C70 output problem</title>
      <link>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/378990#M2225</link>
      <description>&lt;P&gt;&lt;FONT size="4"&gt;I have a problem with the output signal via HDMI and the stored data only at C-log2 and C-log3.&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="4"&gt;Prerequisites: All devices and programs are on the current firmware. If the LUT were measured, the WFM would look different!&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="4"&gt;When I connect my smallHD to the C70, I see a complete difference in the WFM: In the highlights and shadows, the WFM is cut off at various points.&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;span class="lia-inline-image-display-wrapper lia-image-align-inline" image-alt="r/cinematography - To all Canon EOS C70 owners and users  Fig. 1 (WFM white samllHD, WFM green C70 on samllHD)" style="width: 999px;"&gt;&lt;img src="https://community.usa.canon.com/t5/image/serverpage/image-id/34985i3BBE8EC6860B66F1/image-size/large?v=v2&amp;amp;px=999" role="button" title="Bild1.JPG" alt="r/cinematography - To all Canon EOS C70 owners and users  Fig. 1 (WFM white samllHD, WFM green C70 on samllHD)" /&gt;&lt;span class="lia-inline-image-caption" onclick="event.preventDefault();"&gt;r/cinematography - To all Canon EOS C70 owners and users  Fig. 1 (WFM white samllHD, WFM green C70 on samllHD)&lt;/span&gt;&lt;/span&gt;&lt;FONT size="2"&gt;Fig. 1 (WFM white samllHD, WFM green C70 on samllHD)&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;When I open the associated file in Davinci, the WFM looks like this:&lt;/P&gt;&lt;P&gt;&lt;FONT size="2"&gt;&lt;span class="lia-inline-image-display-wrapper lia-image-align-inline" image-alt="2.bild.png" style="width: 999px;"&gt;&lt;img src="https://community.usa.canon.com/t5/image/serverpage/image-id/34989i4D50490AE58376FF/image-size/large?v=v2&amp;amp;px=999" role="button" title="2.bild.png" alt="2.bild.png" /&gt;&lt;/span&gt;Fig. 2 Davinci&lt;/FONT&gt;&lt;/P&gt;&lt;P class=""&gt;Summary overexposure&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/P&gt;&lt;TABLE border="1" width="100%"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD width="33.333333333333336%"&gt;WFM samllHD&amp;nbsp;&amp;nbsp;&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;WFM Davinci&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;WFM C70&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="33.333333333333336%"&gt;85IRE&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;85IRE&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;approx. 92IRE&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;P class=""&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=""&gt;And in the shadows there is also a clear difference. The picture is unfortunately not quite clear, but I hope for you meaningful enough.&lt;/P&gt;&lt;P class=""&gt;&lt;span class="lia-inline-image-display-wrapper lia-image-align-inline" image-alt="Bild3.JPG" style="width: 999px;"&gt;&lt;img src="https://community.usa.canon.com/t5/image/serverpage/image-id/34987i7948CA8FB7C3F61F/image-size/large?v=v2&amp;amp;px=999" role="button" title="Bild3.JPG" alt="Bild3.JPG" /&gt;&lt;/span&gt;&lt;FONT size="2"&gt;Fig. 3 (WFM white samllHD, WFM green C70 on samllHD)&lt;/FONT&gt;&lt;/P&gt;&lt;P class=""&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=""&gt;&lt;FONT size="4"&gt;&lt;span class="lia-inline-image-display-wrapper lia-image-align-inline" image-alt="4.Bild.png" style="width: 999px;"&gt;&lt;img src="https://community.usa.canon.com/t5/image/serverpage/image-id/34990iEB84170016456A6D/image-size/large?v=v2&amp;amp;px=999" role="button" title="4.Bild.png" alt="4.Bild.png" /&gt;&lt;/span&gt;&lt;FONT size="2"&gt;Fig. 4 Davinci&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;P class=""&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=""&gt;Summary underexposure&lt;/P&gt;&lt;TABLE border="1" width="100%"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD width="33.333333333333336%"&gt;WFM samllHD&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;WFM Davinci&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;WFM C70&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="33.333333333333336%"&gt;approx. 9IRE&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;approx. 9IRE&lt;/TD&gt;&lt;TD width="33.333333333333336%"&gt;approx. 3IRE&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;P class=""&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=""&gt;Then there is also the fact that the mids are not identical. Please compare in figure 3 the brightest part of the picture around the 60IRE. There is also a shift. When I turn on False Color on the C70 and on the smallHD, the mids are clearly not in the same place.&lt;/P&gt;&lt;P class=""&gt;Can someone please check this on their C70 to see if it's the same there?&lt;/P&gt;&lt;P class=""&gt;I also did the test with an Atomos Ninja. It is not meaningful for me as a reference monitor, because it displays the same as the C70. So it's best to compare the WFM from the C70 with the one from Davinci!&lt;/P&gt;&lt;P class=""&gt;I trust Davinci more than I trust the C70.&lt;/P&gt;&lt;P class=""&gt;I would be very happy if someone can help me. I am a bit at a loss.&lt;/P&gt;</description>
      <pubDate>Wed, 13 Jul 2022 08:12:56 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/378990#M2225</guid>
      <dc:creator>electric_sun</dc:creator>
      <dc:date>2022-07-13T08:12:56Z</dc:date>
    </item>
    <item>
      <title>Re: EOS C70 output problem</title>
      <link>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/379026#M2226</link>
      <description>&lt;P&gt;Have forwarded this thread to rs-eos (ricky) to see if he has anything to add.&lt;/P&gt;</description>
      <pubDate>Wed, 13 Jul 2022 14:37:41 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/379026#M2226</guid>
      <dc:creator>shadowsports</dc:creator>
      <dc:date>2022-07-13T14:37:41Z</dc:date>
    </item>
    <item>
      <title>Re: EOS C70 output problem</title>
      <link>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/379027#M2227</link>
      <description>&lt;P&gt;Thank you!&lt;/P&gt;</description>
      <pubDate>Wed, 13 Jul 2022 15:02:12 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/379027#M2227</guid>
      <dc:creator>electric_sun</dc:creator>
      <dc:date>2022-07-13T15:02:12Z</dc:date>
    </item>
    <item>
      <title>Re: EOS C70 output problem</title>
      <link>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/379044#M2229</link>
      <description>&lt;P&gt;I saw this thread, but I don't use any external recorders. &amp;nbsp;Thus have not used the HDMI output.&lt;/P&gt;&lt;P&gt;Having said that, no that I looked again, I believe CLog2 vs CLog3 does have different values to where it wants 50% gray to be. &amp;nbsp;I only use CLog2, so on the internal waveform, I try to get as close to that as possible. &amp;nbsp;Or, to use false color.&lt;/P&gt;</description>
      <pubDate>Wed, 13 Jul 2022 17:43:21 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/Professional-Video/EOS-C70-output-problem/m-p/379044#M2229</guid>
      <dc:creator>rs-eos</dc:creator>
      <dc:date>2022-07-13T17:43:21Z</dc:date>
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