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    <title>topic Re: Long exposure limit in EOS DSLR &amp; Mirrorless Cameras</title>
    <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/199029#M35880</link>
    <description>&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/86706"&gt;@Tsleel2811&lt;/a&gt; wrote:&lt;BR /&gt;Wow. Thank you very much. The next I go out, iso 800 it is.&lt;BR /&gt;&lt;BR /&gt;Did you make the adjustments and stacking in lightroom?&lt;BR /&gt;&lt;BR /&gt;And what is the 60d filter?&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;Every typical camera has an internal filter which blocks both UV and IR light. &amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The filter is there for two reasons...&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;(1) the camera would normally be sensitive to both UV and IR but people are not. &amp;nbsp;Since UV, visible light, and IR all focus at different distances, you'll get sharper images by blocking those UV and IR wavelengths (which focus at different distances -- so that light wont be sharp when visible light is sharp) and people can't see that light anyway.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;(2) the visible light spectrum starts at the short end (400nm) where colors are at the "blue" end... and works it way up to the longer wavelengths (700nm) where teh colors are "red". &amp;nbsp; The problem is that humans are not actually equally sensitive to all of these colors. &amp;nbsp;We are most sensitive to "green" more than any other color. &amp;nbsp;Green happens to be in the very center of the visible light spectrum. &amp;nbsp;We aren't actually particularly sensitive to reds... there is a lot more "red" in the world that our eyes don't see. &amp;nbsp; So the filter doesn't actually allow the full "visible" spectrum of light to pass through untouched... it begins blocking reds as early as around 500nm and slowly ramps up how much of the lght is blocked until it reaches 700nm (the end of the visible spectrum) at which point it just blocks everything. &amp;nbsp; &amp;nbsp;This is designed to immitate the sensitivity of the human eye so that the pictures you take resemble what your eyes see.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;90% of all ordinary matter in the universe is made up of hydrogen atoms (element #1 on the period table). &amp;nbsp;All atoms absorb or emit energy based on their electrons and the hydrogen atom has one of the simplist (since it only has 1 electron). &amp;nbsp;It follows a pattern called the "balmer" series. &amp;nbsp;There are four different wavelengths of light that a hydrogen atom can emit (there's a couple more but they are in the UV spectrum so we can't see them.) &amp;nbsp;But of these four, the "Hydrogen alpha" wavelength is the most common by far (it's the easiest one for the atom to absorb or emit.) &amp;nbsp;That color happens to be a fire-engine red with a wavelength of 656.28nm. &amp;nbsp;That's not very far from the end of the visible spectrum (it's a rich intense red). &amp;nbsp; So it turns out a "normal" camera is blocking about 75-80% of the light at that wavelength.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;When you take photos of deep-sky objects in the universe (particularly emission nebulae) these objects will glow with that *specific* wavelength of light. &amp;nbsp;So if you take a photo of the Rosette Nebula ... or the Horse Head Nebula ... you don't get much with a normal camera. &amp;nbsp;But if you eliminate that filter so the camera is sensitive to all of the H-alpha light then you get QUITE a bit more. &amp;nbsp;So astrophotography cameras are typically either modified to replace the standard filter with a special filter that captures the whole visible spectrum (doing a hard cut at the UV &amp;amp; IR end but allowing everything else through without blocking it) -or- they completely elminate the filter (unfiltered cameras) and the photographer attaches filters to the optical path as needed depending on what they are imaging.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;As for stacking... I use special stacking software. &amp;nbsp;Mostly it's images of "deep sky objects" (galaxies, nebulae, etc.) that are stacked. &amp;nbsp;Images of night-time landscapes with the Milky Way galaxy overhead *might* be stacked but usually&amp;nbsp;are not stacked images. &amp;nbsp; &amp;nbsp;It takes time to collect all the frames to make the stacked images so a "stacked" image that includes a night-time landscape usually involves taking lots of images of the sky for stacking purposes, and then just a single image of the foreground, and combining the two (because the sky will technically be in a slightly different position relative to the foreground for each of those images so you'd get a wonky result if you tried to stack the whole thing as one.)&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;It's possible to use Photoshop but I think it's more complicated and there are other programs that are purpose-built for just astrophotography processing.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;I use something called PixInisght but I should warn you that it isn't free, it isn't cheap, and it has a very long learning curve. &amp;nbsp;So I typically don't recommend anyone start with it (but it is very very powerful).&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;An easier program to start with for images that have "stars" in them is "DeepSkyStacker" (and it's free). &amp;nbsp;The software uses the positions of the stars in each frame to match up each image for precise image registration before stacking. &amp;nbsp;There's different software for images of planets because planets are bright enough that the correct exposure on the planet is typically to dim to have any stars... so instead of registering the images using stars it registers the images using the position of the "disk" of the planet. &amp;nbsp;But "DeepSkyStacker" uses stars and it's for stacking images of the deep sky that include stars.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;If you want star trails, however, this is completely different... the program used to stack those images is called StarStaX (and it's also free).&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The stacking software can deal with noise. &amp;nbsp;Since noise is usually somewhat random, but the positions of the stars is not random, the computer can realize that the stars are "real" but the noise is not real and it can eliminate it (this is the major benefit to stacking is that it improves the signal to noise ratio of the images by reducing the noise). &amp;nbsp;The noise can be improved by a factor equal to the square root of the number of frames you shoot. &amp;nbsp;In other words if I shoot 16 frames of the same object, then I can reduce the noise by a factor of 4x since 4 is the square root of 16.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Also if you shoot (typically) at least 10 frames there are better algorithms. &amp;nbsp;If I only shoot a few frames then typically the noise has to be "averaged" out of the image. &amp;nbsp;That means the noise gets dimmer but it doesn't actually go away. &amp;nbsp;If I have enough samples of the sky (e.g. I shot at least 10 frames) then I can use statistical analysis instead of averaging. &amp;nbsp;Now I can use "sigma clipping" (I use "windsorized sigma clipping"). &amp;nbsp;The idea is that after the frames are all nicely "registered" (adjusted so all the stars match up in each frame in preperation for stacking) then the same corresponding pixel in each of the ten frames can be thought of like a "vote" for the pixel value. &amp;nbsp;So if an airplane trail flew through just ONE of my frames but the other 9 are fine, the computer will notice than in 9 out of the 10 frames that pixel is "black" but in one frame the pixel is "white". &amp;nbsp;It'll build a statistical model and realize that the 10th pixel is basically an outlier... it's pixel value doesn't fall within a standard deviation of the value of the mean. &amp;nbsp;It can therefore safely "ignore" that outlier value. &amp;nbsp;It doesn't actually reject the whole image... it just rejects the specific pixels which are outliers but it uses all the pixels which are not outliers.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The result is that when I stack... the airplane trail in that was found in just one image will just magically disappear (it's a wonderful thing).&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;These are examples of things that Photoshop wasn't designed to do.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;When I'm done processing with astrophotography stacking software I typically will pull the image into Photoshop (or Lightroom) for some final tweaks for artistic value. &amp;nbsp;I might tamper with color saturation, contrast, etc. &amp;nbsp;I also might work a little more on the noise based using tools that reduce noise in dark areas but ignore bright areas, or reduce noise in non-contrast areas, but stay away from edges of high contrast (where noise reduction would soften the image and we don't want that.)&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The book "Lessons from the Masters" is probably one of the best books for explaining techniques. &amp;nbsp;Each chatper is written by the astrophotographer who is considered to be more or less "the" master at that particular type of astrophotography. &amp;nbsp;And they explain how they capture *and* process their data.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Astrophotography can be expensive... so I jokingly tell the new people that you might want to consider a less expensive hobby such as Formula 1 Racing or Yachting. &amp;nbsp;&lt;span class="lia-unicode-emoji" title=":winking_face:"&gt;😉&lt;/span&gt;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
    <pubDate>Fri, 27 Jan 2017 16:41:10 GMT</pubDate>
    <dc:creator>TCampbell</dc:creator>
    <dc:date>2017-01-27T16:41:10Z</dc:date>
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      <title>Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198740#M35858</link>
      <description>Rather stupid question, I think. I own a 60d and I want to get into astrophotography. I know the effective iso range is about 1000. Maybe 1600 if I'm good with lightroom noise reduction. the maximum exposure time is 30 sec. But in bulb mode I can leave it open indefinitely so long as I keep the button pressed. Most photography tutorials say that exposure times can reach upwards of 3 minutes if I want visible streaks. My question is as follows: can the sensor be damaged if I leave the Shutter open too long in nighttime conditions. I'm thinking overheating or too much light hitting the sensor.&lt;BR /&gt;&lt;BR /&gt;Thanks for your input....</description>
      <pubDate>Tue, 24 Jan 2017 16:04:02 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198740#M35858</guid>
      <dc:creator>Tsleel2811</dc:creator>
      <dc:date>2017-01-24T16:04:02Z</dc:date>
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      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198744#M35859</link>
      <description>&lt;P&gt;Doing astro you should use a remote shutter release so you don't touch the camera with the shutter open. And you shouldn't have to hold the release in bulb. I use a Vello remote and the shutter stays open without holding after a few seconds and a second press will close it.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;My understanding too is the best star trails are the result of stacking many 30 second exposure as oppsed to leaving the shutter open for 3 minutes. Plus that time duration would require a tracking device to compensate for the earth's rotation.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;And please note...I am not an astro guy. I'm sure a more experienced astro person will probably chime in here.&lt;/P&gt;</description>
      <pubDate>Tue, 24 Jan 2017 16:37:54 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198744#M35859</guid>
      <dc:creator>Bryston3bsst</dc:creator>
      <dc:date>2017-01-24T16:37:54Z</dc:date>
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      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198751#M35860</link>
      <description>I should've specified. Im using a remote as well. I guess stacking would be the best. But my question is can the sensor get ruined of left open for too long at night time</description>
      <pubDate>Tue, 24 Jan 2017 17:20:59 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198751#M35860</guid>
      <dc:creator>Tsleel2811</dc:creator>
      <dc:date>2017-01-24T17:20:59Z</dc:date>
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    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198752#M35861</link>
      <description>And I don't need to use a smart tracker because me desired result would be the earth standing still and the stars moving. So a regular tripod would do. I'm using a heavy one (Manfrotto) so it stands firm anyway</description>
      <pubDate>Tue, 24 Jan 2017 17:22:13 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198752#M35861</guid>
      <dc:creator>Tsleel2811</dc:creator>
      <dc:date>2017-01-24T17:22:13Z</dc:date>
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      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198758#M35862</link>
      <description>&lt;P&gt;No, the sensor will be fine. But if it does heat up you might get more noise and "hot" pixels.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;I think that video overheats because of all the digic processing and readout, not the actual light gathering. For a still image, nothing much is happening when the shutter is open.&lt;/P&gt;</description>
      <pubDate>Tue, 24 Jan 2017 17:43:28 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198758#M35862</guid>
      <dc:creator>kvbarkley</dc:creator>
      <dc:date>2017-01-24T17:43:28Z</dc:date>
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    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198842#M35864</link>
      <description>&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/86706"&gt;@Tsleel2811&lt;/a&gt; wrote:&lt;BR /&gt;And I don't need to use a smart tracker because me desired result would be the earth standing still and the stars moving. So a regular tripod would do. I'm using a heavy one (Manfrotto) so it stands firm anyway&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;Actually, you may want to use a tracker, if you want to have circular star trails around the North or South pole stars.&lt;/P&gt;</description>
      <pubDate>Wed, 25 Jan 2017 18:01:11 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198842#M35864</guid>
      <dc:creator>Waddizzle</dc:creator>
      <dc:date>2017-01-25T18:01:11Z</dc:date>
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      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198849#M35865</link>
      <description>&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;FONT face="georgia,palatino" size="1"&gt;Waddizzle wrote:&lt;/FONT&gt;&lt;BR /&gt;&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;FONT color="#003366"&gt;Tsleel2811 wrote:&lt;/FONT&gt;&lt;BR /&gt;&lt;FONT color="#008080"&gt;And I don't need to use a smart tracker because me desired result would be the earth standing still and the stars moving. So a regular tripod would do. I'm using a heavy one (Manfrotto) so it stands firm anyway&lt;/FONT&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;&lt;FONT color="#003366"&gt;Actually, you may want to use a tracker, if you want to have circular star trails around the North or South pole stars.&lt;/FONT&gt;&lt;/P&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;&lt;FONT face="georgia,palatino" size="1"&gt;In astronomy class in college we were taught that there is no South pole star. Have&amp;nbsp;they found one in the meantime?&lt;/FONT&gt;&lt;/P&gt;</description>
      <pubDate>Wed, 25 Jan 2017 18:23:47 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198849#M35865</guid>
      <dc:creator>RobertTheFat</dc:creator>
      <dc:date>2017-01-25T18:23:47Z</dc:date>
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      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198851#M35866</link>
      <description>&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/46166"&gt;@RobertTheFat&lt;/a&gt; wrote:&lt;BR /&gt;&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;FONT face="georgia,palatino" size="1"&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/65668"&gt;@Waddizzle&lt;/a&gt; wrote:&lt;/FONT&gt;&lt;BR /&gt;&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;FONT color="#003366"&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/86706"&gt;@Tsleel2811&lt;/a&gt; wrote:&lt;/FONT&gt;&lt;BR /&gt;&lt;FONT color="#008080"&gt;And I don't need to use a smart tracker because me desired result would be the earth standing still and the stars moving. So a regular tripod would do. I'm using a heavy one (Manfrotto) so it stands firm anyway&lt;/FONT&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;&lt;FONT color="#003366"&gt;Actually, you may want to use a tracker, if you want to have circular star trails around the North or South pole stars.&lt;/FONT&gt;&lt;/P&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;&lt;FONT face="georgia,palatino" size="1"&gt;In astronomy class in college we were taught that there is no South pole star. Have&amp;nbsp;they found one in the meantime?&lt;/FONT&gt;&lt;/P&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;&lt;A href="https://en.wikipedia.org/wiki/Pole_star" target="_blank"&gt;https://en.wikipedia.org/wiki/Pole_star&lt;/A&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;There is a star, &lt;A href="https://en.wikipedia.org/wiki/Sigma_Octantis" target="_blank"&gt;Sigma Octantis&lt;/A&gt;,&amp;nbsp;that is used for aligning telescopes in the Southern Hemisphere.&amp;nbsp; Like Polaris, it is not precisely aligned with the Earth's polar axis, and is visible to the naked eye.&amp;nbsp; It is not as closely aligned with the Earth's axis of rotation as Polaris.&lt;/P&gt;</description>
      <pubDate>Wed, 25 Jan 2017 19:12:57 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198851#M35866</guid>
      <dc:creator>Waddizzle</dc:creator>
      <dc:date>2017-01-25T19:12:57Z</dc:date>
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    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198872#M35867</link>
      <description>&lt;P&gt;I have a 60Da which is Canon's camera specifically designed especially for astrophotography (the standard 60D filter is replaced with a different filter which allows more full-spectrum light through and dramatically increases sensitivity in the "reds" (camera's designed for normal photography actually trim the visible light spectrum to mimick the sensitivity of the human eye and the human eye isn't actually particularly sensitive to reds.)&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;It turns out the ideal ISO setting for a 60D is ISO 800.&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;But there are a few things you need to know to go along with this. &amp;nbsp;I'm doing astrophotography of "deep sky objects" (DSOs). &amp;nbsp;I'm not shots of the Milky Way over landscapes at night. &amp;nbsp;Because of this difference... I either attach the camera to a telescope like I did for this shot:&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&lt;IMG src="https://community.usa.canon.com/t5/image/serverpage/image-id/11681i564470385D3AEF59/image-size/original?v=v2&amp;amp;px=-1" border="0" alt="Andromeda &amp;amp; Companions" title="Andromeda &amp;amp; Companions" /&gt;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Or I put the telescope on a "tracking" head (apparently I haven't uploaded a prior example and that shot is on my other computer). &amp;nbsp;But the "tracking head" just means you're using a normal camera + lens combination but the "head" is rotating at the same rate that the earth is rotating -- but in the opposite direction (it cancels out the movement of the sky so you can take very long exposures without the stars "smearing" due to the rotation of the Earth.)&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;BTW, the shot above is not a single image... I shot many 8-minute long images and those are then combined using a stacking process. &amp;nbsp;The color and contrast details are "stretched" to exaggerate them (otherwise the image would mostly just appear as a black &amp;amp; white). &amp;nbsp;So to be clear... this NOT what you get straight out of the camera. &amp;nbsp;The adjustments above cause the younger &amp;amp; bluer stars to look more "blue"... and the older and more yellow stars appear more "yellow". &amp;nbsp;(So the color differences aren't made up - but they are exaggerated).&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;I do have some examples of images that where the colors are not exaggerated -- they really do come out of the camera looking pretty vivid. &amp;nbsp;It all depends on the object.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The reasons ISO 800 turns out to be ideal is because this is the magic ISO for a 60D which maximizes the "upstream" signal amplification and minimizes the "downstream" signal amplification. &amp;nbsp; This tends to produce the strongest "signal to noise ratio" (SNR) and astrophotography is all about maximizing the SNR. &amp;nbsp;The reason we shoot a LOT of images of the same object is to improve the SNR even more.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The image-aquisition steps to astrophotography are somewhat nit-picky... and the image processing process is even more nit-picky. &amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;There are numerous web-tutorials that can help... I have found the "photographingspace.com" website and "DSLR-astrophotography.com" website seem to have quite a bit of good info.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Your camera is very capable of capturing fantastic images... but it will require some work on your end (it require work no matter which camera you use.)&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
      <pubDate>Wed, 25 Jan 2017 23:48:01 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198872#M35867</guid>
      <dc:creator>TCampbell</dc:creator>
      <dc:date>2017-01-25T23:48:01Z</dc:date>
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      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198906#M35868</link>
      <description>&lt;P&gt;Now for the correct answer.&lt;/P&gt;&lt;P&gt;With long duration of exposure more total and&amp;nbsp;random pixels heat up. &amp;nbsp;This is because power is applied as long as the sensor is open. &amp;nbsp; Keeping the sensor powered longer means more heat will be generated.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Duration related noise effects&amp;nbsp;thermal noise. Increasing the ISO requires&amp;nbsp;amplification, which&amp;nbsp;requires more power.&lt;/P&gt;&lt;P&gt;Basically in&amp;nbsp;a given shooting environment, increasing ISO has the greatest adverse&amp;nbsp;effect.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The camera knows when it gets too hot. &amp;nbsp;It will shut down until temps normalize.&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 14:19:27 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198906#M35868</guid>
      <dc:creator>ebiggs1</dc:creator>
      <dc:date>2017-01-26T14:19:27Z</dc:date>
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      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198909#M35869</link>
      <description>Thank you very much for your help. I guess stacking is the way to go</description>
      <pubDate>Thu, 26 Jan 2017 14:39:13 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198909#M35869</guid>
      <dc:creator>Tsleel2811</dc:creator>
      <dc:date>2017-01-26T14:39:13Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198910#M35870</link>
      <description>&lt;P&gt;I routinely take exposures with my 60Da in the 5-8 minute time range. &amp;nbsp;But what's more... I'm really trying to grab a few hours worth of data. &amp;nbsp;So the shutter closes, writes the file, and a second or two later the shutter re-opens to start capturing the next file. &amp;nbsp;It's not a problem for the camera.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;If I do this with Backyard EOS (astrophotography image-acquisition software) then it also reports the camera's internal temperature (there is a temperature probe inside the camera body). &amp;nbsp;On cold winter nights it doesn't even manage to get warm. &amp;nbsp;But on warm summer nights it might make it up to around 109ºF, but this isn't a problem.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;As Ernie says... the camera will warn you or even shut down if it really gets too hot.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The best information I've ever read on the topic of noise was in the first chapter of the book "Lessons from the Masters" (edited by Robert Gendler but the chapters are all written by different authors where each author is considered *the* expert/master on that particular field of astrophotography). &amp;nbsp;But since "noise" is a general problem in almost every type of astrophotography they dedicated quite a bit of time on the topic and explained the quantum principles that cause noise to exist in the first place and how to use stacking to reduce noise.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The noise isn't just a simple matter of boosting the ISO. &amp;nbsp;It matters whether the boost is coming from analog (upstream) signal amplification within the imaging sensor or whether it's coming from digital (downstream) signal amplification by the camera or computer after the imaging sensor has already collected the data. &amp;nbsp;While any boost in ISO tends to also boost noise, it turns out the upstream amplification within the chip can boost the good signal significantly more than the noise and you end up with images that only have a tiny increase in noise for the ISO boost. &amp;nbsp;But each sensor model has some point where it can't boost anymore and has to resort to downstream (digital) amplification. &amp;nbsp;For the 60D that point occurs at ISO 800.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;Most Canon models get to ISO 800... some models get to ISO 1600... and some models appear to get above 1600 -- nearer to 3200. &amp;nbsp;&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 14:52:27 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198910#M35870</guid>
      <dc:creator>TCampbell</dc:creator>
      <dc:date>2017-01-26T14:52:27Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198922#M35871</link>
      <description>&lt;P&gt;&lt;EM&gt;"&amp;nbsp;It matters whether the boost is coming from analog (upstream) signal amplification within the imaging sensor or whether it's coming from digital (downstream) signal amplification by the camera or computer after the imaging sensor has already collected the data."&lt;/EM&gt;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;&lt;SPAN&gt;This is a point either ignored or unknown by most photograhers.&lt;/SPAN&gt;&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 16:02:07 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198922#M35871</guid>
      <dc:creator>ebiggs1</dc:creator>
      <dc:date>2017-01-26T16:02:07Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198925#M35872</link>
      <description>This is the first time I'm hearing about this. Do I have any control over it?</description>
      <pubDate>Thu, 26 Jan 2017 16:10:13 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198925#M35872</guid>
      <dc:creator>Tsleel2811</dc:creator>
      <dc:date>2017-01-26T16:10:13Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198930#M35873</link>
      <description>&lt;P&gt;You always have options. &amp;nbsp;Photography is mostly a trade off. &amp;nbsp;You give to get and there is no free lunch.&lt;/P&gt;&lt;P&gt;Test your camera don't just rely on reviews you read on the ole inner web.&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 16:37:19 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198930#M35873</guid>
      <dc:creator>ebiggs1</dc:creator>
      <dc:date>2017-01-26T16:37:19Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198964#M35874</link>
      <description>&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/3485"&gt;@ebiggs1&lt;/a&gt; wrote:&lt;BR /&gt;&lt;P&gt;Now for the correct answer.&lt;/P&gt;&lt;P&gt;With long duration of exposure more total and&amp;nbsp;random pixels heat up. &amp;nbsp;This is because&lt;STRONG&gt; power is applied as long as the sensor is open. &amp;nbsp; &lt;/STRONG&gt;Keeping the sensor powered longer means more heat will be generated.&lt;/P&gt;&lt;BR /&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;Now for the correction to the 'correct' answer.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The &lt;EM&gt;sensor&lt;/EM&gt; doesn't 'open'.&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 21:44:54 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198964#M35874</guid>
      <dc:creator>Bryston3bsst</dc:creator>
      <dc:date>2017-01-26T21:44:54Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198965#M35875</link>
      <description>&lt;P&gt;The intent was and as it is usually stated in this manner "open" if the shutter is opened. &amp;nbsp;The mirror is up. &amp;nbsp;Meaning the sensor is "open" to the world. &amp;nbsp;Clear?&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 21:50:39 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198965#M35875</guid>
      <dc:creator>ebiggs1</dc:creator>
      <dc:date>2017-01-26T21:50:39Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198968#M35876</link>
      <description>&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/65170"&gt;@Bryston3bsst&lt;/a&gt; wrote:&lt;BR /&gt;&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;a href="https://community.usa.canon.com/t5/user/viewprofilepage/user-id/3485"&gt;@ebiggs1&lt;/a&gt; wrote:&lt;BR /&gt;&lt;P&gt;Now for the correct answer.&lt;/P&gt;&lt;P&gt;With long duration of exposure more total and&amp;nbsp;random pixels heat up. &amp;nbsp;This is because&lt;STRONG&gt; power is applied as long as the sensor is open. &amp;nbsp; &lt;/STRONG&gt;Keeping the sensor powered longer means more heat will be generated.&lt;/P&gt;&lt;BR /&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;Now for the correction to the 'correct' answer.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;The &lt;EM&gt;sensor&lt;/EM&gt; doesn't 'open'.&lt;/P&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;Technically "true" but Ernie's point (which is correct and valid) is the difference between the "active" vs. "inactive" sensor. &amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;When the shutter is closed the sensor is literally "off" (it's cold and if it was hot it's in the process of cooling down). &amp;nbsp;When the shutter is open the sensor is active and it's heating up. &amp;nbsp;&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;&lt;P&gt;It's really the heat issue... there's a direct correlation between the physical temperature of the sensor and the level of noise as one factor that contributes to noise. &amp;nbsp;Dedicated astrophotography imaging cameras often have active cooling systems to drop the temp by 40-50º below whatever the ambient temperatures are just to drive down the noise levels. &amp;nbsp;That's usually not an issue for traditional photography becuse usually the sensor is only active for a fraction of a second.&lt;/P&gt;&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 22:16:29 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198968#M35876</guid>
      <dc:creator>TCampbell</dc:creator>
      <dc:date>2017-01-26T22:16:29Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198970#M35877</link>
      <description>&lt;BLOCKQUOTE&gt;&lt;HR /&gt;&lt;FONT face="georgia,palatino" size="1"&gt;ebiggs1 wrote:&lt;/FONT&gt;&lt;BR /&gt;&lt;P&gt;&lt;FONT color="#003366"&gt;The intent was and as it is usually stated in this manner "open" if the shutter is opened. &amp;nbsp;The mirror is up. &amp;nbsp;Meaning the sensor is "open" to the world. &amp;nbsp;Clear?&lt;/FONT&gt;&lt;/P&gt;&lt;HR /&gt;&lt;/BLOCKQUOTE&gt;&lt;P&gt;&lt;FONT face="georgia,palatino" size="1"&gt;Perfectly. But I do think we have to credit you with inventing that usage of the word. A Google search I just did betrays no hint of it. Until it catches on, you may want to reconsider your inclusion of the word "usually".&lt;/FONT&gt;&lt;/P&gt;</description>
      <pubDate>Thu, 26 Jan 2017 22:28:37 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198970#M35877</guid>
      <dc:creator>RobertTheFat</dc:creator>
      <dc:date>2017-01-26T22:28:37Z</dc:date>
    </item>
    <item>
      <title>Re: Long exposure limit</title>
      <link>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198973#M35878</link>
      <description>Wow. Thank you very much. The next I go out, iso 800 it is.&lt;BR /&gt;&lt;BR /&gt;Did you make the adjustments and stacking in lightroom?&lt;BR /&gt;&lt;BR /&gt;And what is the 60d filter?</description>
      <pubDate>Thu, 26 Jan 2017 23:39:00 GMT</pubDate>
      <guid>https://community.usa.canon.com/t5/EOS-DSLR-Mirrorless-Cameras/Long-exposure-limit/m-p/198973#M35878</guid>
      <dc:creator>Tsleel2811</dc:creator>
      <dc:date>2017-01-26T23:39:00Z</dc:date>
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